7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
In one of Japan's most frequently-told ghost stories, a murdered wife returns in an act of vengeance.
Starring: Kazuo Hasegawa, Yasuko Nakata, Yoko Uraji, Mieko Kondô, Jôji TsurumiForeign | 100% |
Drama | 40% |
Horror | 40% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Japanese: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 3.5 |
Note: This film is available on Blu-ray as part of the Daiei Gothic: Japanese Ghost Stories set from Radiance Films.
Fans of what might be termed some of the "designer labels" of the home video market may know that there are some interesting tethers between
Arrow Video and Radiance Films, and either due to commingling or just shared interests, both labels are offering fans spooky collections of Japanese
fare as the Halloween season is getting underway. Arrow is out with
J-Horror Rising, a compendium of efforts that appeared in the wake of Ringu, and Radiance is offering this trio of somewhat earlier films that the label is touting as "three of Japan's most
famous ghost stories that have haunted people for centuries".
The Ghost of Yotsuya is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 2.39:1. Radiance's insert booklet lumps all three films in this set together in one relatively brief blurb about the transfers, as follows:
The Ghost of Yotsuya, The Snow Woman and The Bride from Hades were restored in 4K by Kadokawa Corporation. Each film is presented in its original aspect ratio with original mono audio.I frankly would have loved to have known a bit more about the restoration process here, and relatedly what element or elements might have been utilized, as there are some curious color timing anomalies in particular that really stuck out to me. You can actually see the timing change, albeit admittedly slightly, in "static" shots with the camera firmly placed and no edits, where things can kind of segue from the blue side of things to the yellow and then back again. Some moments tend to be more firmly in blue territory, with others in yellow, as can perhaps be gleaned in some of the screenshots I've uploaded to accompany this review. That strangeness aside, detail levels throughout are typically commendable, and some of the fine detail on the nice sets and costumes is especially precise looking. There is still some minor but observable age related wear and tear that has made it through the restoration gauntlet, mostly in the form of very small nicks or white flecks. Grain resolves without any issues.
The Ghost of Yotsuya features an LPCM 2.0 Mono track in the original Japanese. A spooky score is a highlight, and both some of the growling low end reeds and strings and high end cymbal crashes sound reasonably full bodied, if maybe just slightly thin on the high end. Dialogue and sound effects are all rendered without any issues. Optional English subtitles are available.
One of the creepiest things about this presentation is the historic practice of what was called Ohaguro, namely the blackening of teeth, as Oiwa does. That alone makes her something of a scary character even before she turns into a ghost. Joking aside, this is a really interesting film that manages to ratchet up anxiety quite significantly even before Oiwa meets her ghostly fate. Technical merits are generally solid, though I found the color timing of this transfer to be odd looking at times. The supplements are very worthwhile. Recommended.
(Still not reliable for this title)
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