7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his “special” gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.
Starring: Michael J. Fox, Trini Alvarado, Peter Dobson (I), John Astin, Jeffrey Combs| Horror | Uncertain |
| Supernatural | Uncertain |
| Dark humor | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1, 2.35:1
Original aspect ratio: 2.35:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 5.0 |
What's your favorite Peter Jackson film? For many, it would probably be one of the Lord of the Rings: The Motion Picture Trilogy offerings (in any of those movies' editing configurations), though some cultists might opt for Dead Alive or Heavenly Creatures. Though I offered reviews of the two aforementioned standalone films (i.e., not part of a "franchise"), and gave pretty high marks to both of them, I am unabashedly and unapologetically fond of The Frighteners in ways that I simply am not with regard to Jackson's many other projects. The Frighteners has an appealing "high concept", and it offered an early taste of the special effects blandishments that Jackson and the then nascent Wētā Digital would be offering filmgoers. The story (review link below with a plot summary) is both daffy and surprisingly emotionally complex, and while Michael J. Fox's performance is maybe just a bit too tic filled, the supporting cast is aces and both the humor and horror resonate extremely well throughout. Arrow is offering both standalone 4K UHD and 1080 formats, with two cuts of the main feature on the title disc (in either 4K or 1080 as the case may be), but (in both resolutions) additional 1080 discs with even more material, including an "open matte" version of the film.


Note: Arrow sent a check disc for purposes of this 1080 review, but a full retail final set for purposes of the The Frighteners 4K Blu-ray review . I'm assuming that per Arrow's standard
operating procedure, the packaging, including the insert booklet, is the same for both resolutions.
The Frighteners is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.35:1 of both the
Theatrical Cut and Director's Cut. An AVC encoded 1080p open matte presentation is also offered on a separate disc. Arrow's insert booklet contains
the following information about the presentations:
The Frighteners is presented in its original 2.39:1 aspect ratio. The Theatrical Cut is presented with original 2.0 stereo and two versions of the 5.1 mix, the original cinema mix and the home video mix. The Director's Cut is presented with the original 2.0 stereo, the 5.1 home video mix, and a Dolby Atmos mix. On the 4K UHD release, the film is presented in 4K resolution in HDR10 and Dolby Vision.The old 1080 presentation from Universal Studios got almost tip top marks in the video department in our original review, and so massive improvements may not be expected here, but there are some noticeable differences between both Arrow's 1080 SDR and this 4K UHD releases, especially in terms of color timing. As is my standard operating procedure, I've attempted to duplicate at least a few of the screenshots from the original review so that those interested can do side by side comparisons, but Arrow's releases look considerably cooler and darker at times than the old Universal release, which, at least by comparison, can look skewed toward reds and with a somewhat flushed hue. While these differences are overtly noticeable here "even" in 1080 and SDR, they are understandably even more noticeable in Arrow's standalone 4K UHD release. There's now an emphasis throughout on cooler blues and grays, something that helps to support the misty, rainy New Zealand locations. Aside from that general observation, the palette looks natural and very nicely suffused, and even little pops of color like Frank's yellow car or some of the brightly colored dresses some of the supporting women characters wear are quite vivid. Detail levels are often very expressive, even in some of the "spectral" material, though I wouldn't argue there's a gigantic uptick in fine detail when compared to old Universal release. Grain is commendably tight throughout, even in the many special effects scenes.
Alternative open matte 1.78:1 versions of both cuts of the film are presented in high definition.
The Frighteners was restored by Turbine Medien GmbH with the approval of director Peter Jackson.
All restored masters were supplied by NBC Universal.
Additional audio restoration was completed by & Deluxe.

The Frighteners may frankly cause a bit of a scare in audiophiles due to the glut of choices offered throughout the various cuts and aspect ratios. Per the verbiage in Arrow's insert booklet reprinted above, he Director's Cut has Dolby Atmos, DTS-HD Master Audio 5.1 (Director's Cut Home Video Mix) and DTS-HD Master Audio 2.0 options, while the Theatrical Cut has two DTS-HD Master Audio 5.1 tracks (Theatrical Mix or Home Video Mix) and DTS-HD Master Audio 2.0. Somewhat similarly to some of the differences between the original theatrical cut and director's cut of the actual film, the theatrical 5.1 mix is arguably a bit more reserved than the home video mix in terms of directionality and wide surround imaging, and the home video mix is also more forceful in the midrange and (especially) low end, something that becomes more noticeable during some of the more chaotic scenes featuring poltergeist activities. The Atmos track on the Director's Cut does offer some appealing new spaciousness, beginning with the storm effects at the beginning of the film, but continuing on throughout the many outdoor scenes, where there's a bit more wafting quality to some of the background ambient environmental effects. Danny Elfman's spooky score is very nicely rendered throughout. Dialogue is presented cleanly and clearly. Optional English subtitles are available.

Disc One

The Frighteners is kind of a callback to the veritable days of yore when distinctive films could be both scary and funny in about equal measure. Universal's old 1080 release was well regarded in its day, but Arrow has once again done fans a service by providing a great looking and sounding new set of transfers, with some very appealing and exhaustive supplements thrown into the mix as well. Highly recommended.
(Still not reliable for this title)

2013

2016

Standard Edition
1990

2010

2013

Collector's Edition
1989

2011

2015

2014

2016

Slipcover in Original Pressing
2002

2019

2017

Creatures / Warner Archive Collection
1974

2014

2002

1986

2018

Hatchet IV
2017

Limited Edition
2016