7.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Sadiel, rebel leader in a North African state, takes refuge in Switzerland in the aftermath of a coup. Aware of the threat posed by Sadiel, the ruthless Colonel Kassar contacts the French security services to help in capturing the political activist. A police informer, Darien, is forced to lure Sadiel to Paris, allegedly to make a television coverage about the Third World. Arriving in Paris, Sadiel is captured and delivered to his opponents. Disgusted by the way he has been manipulated, Darien tries to turn back the clock, unknowing who he's dealing with.
Starring: Jean-Louis Trintignant, Michel Piccoli, Jean Seberg, Roy Scheider, Gian Maria VolontèForeign | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 0.5 | |
Overall | 3.5 |
Yves Boisset's "The French Conspiracy" (1972) arrives on Blu-ray courtesy of Code Red. The only bonus feature on the release is a collection of trailers. In French or English, with optional English subtitles for the main feature. Region-A "locked".
Presented in an aspect ratio of 1.67:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The French Conspiracy arrives on Blu-ray courtesy of Code Red.
The technical presentation is quite uneven. The back cover of this release states that the film was restored in 4K on behalf of StudioCanal, but what I saw on my system is difficult to compare to what we have come to expect from good 4K makeovers. I do not wish to speculate why, so I am going to describe what I saw.
Delineation and clarity are almost always pleasing, though in darker areas the former can be more convincing because there is plenty of light crushing that is not introduced by unique stylization. However, there is stylization that gives the film a period appearance. (I discovered the film many years ago during a retrospective. Unfortunately, I do not recall the exact type of period appearance it had). Also, depth ranges between decent to good, and I think that it is not difficult to conclude that some of these fluctuations are not intended. The good news is that there are no traces of problematic digital corrections, so close-ups and many wider shots look good. Color reproduction is difficult to critique because of the stylization. Blues, browns, and grays tend to be quite nice. However, in several areas, the reds. some of which are acceptable, swing toward dark orange. Saturation levels could be better. Lastly, there are quite a few areas where the overall dynamic range of the visuals is not optimal, especially considering that the release is sourced from a recent 4K makeover. Image stability is excellent. The entire film looks very healthy, too. So, what is the final verdict on the technical presentation? It is easy to enjoy the film. However, in an ideal world certain areas of it, or rather the 4K makeover, should have been fine-tuned better. My score is 3.25/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There are two standard audio tracks on this Blu-ray release: French DTS-HD Master Audio 2.0 and English DTS-HD Master Audio 2.0. Optional English subtitles are provided for the main feature.
The release presents two versions of the film, French and International. The French version is the original version, so it is presented with the French DTS-HD Master Audio 2.0. This track is fully restored, and it is very easy to tell. There are absolutely no traces of age-related imperfections. Also, Ennio Morricone's score sounds terrific, which is great because the music does a lot to establish a phenomenal atmosphere. The English translation is good, but the optional English subtitles are a bit too small for my taste.
If you see The French Conspiracy and The Conformist, you will discover that there are many interesting similarities between the characters Jean-Louis Trintignant plays and their inevitable self-destruction. While the latter is of course a gorgeous masterpiece whose stunning beauty cannot be matched, the two are similarly atmospheric films with equally great soundtracks. I think that The French Conspiracy can look better, but Code Red's release will almost certainly remain the last one to present the film in America. RECOMMENDED.
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