6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A never-before-seen woodsman mysteriously appears aboard a submarine that's been trapped deep under water for months with an unstable cargo. As the terrified crew make their way through the corridors of the doomed vessel, they find themselves on a voyage into the origins of their darkest fears.
Starring: Roy Dupuis, Udo Kier, Gregory Hlady, Mathieu Amalric, Geraldine ChaplinDrama | 100% |
Comedy | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
None
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
I think it’s wonderful that Guy Maddin is continuing his exploration of underground cinema, refusing to compromise his vision to entice commercial success, sticking to a plan of impish, artful moviemaking that celebrates the abstract, his Canadian heritage, and the directorial process itself. He’s an original, but that doesn’t always make his efforts easy to endure. “The Forbidden Room” is the latest from “The Saddest Music in the World” and “My Winnipeg” director, and perhaps his most challenging feature to date, mixing visions, ideas, and humor to create a swirling galaxy of askew storytelling.
Guy Maddin never makes things easy, a challenge that extends to the AVC encoded image (1.66:1 aspect ratio) presentation for "The Forbidden Room." Rarely sharing a cleanly composed moment, the viewing experience is intentionally abstract and overly busy, with distorted visuals layered on top of each other. Clarity isn't available, but detail survives, managing actor extremes with attention to skin textures, and craftsmanship remains as sharp as possible. Colors are accurate, with sickly hues secure, keeping their amplification. Delineation is really up to Maddin, who doesn't particularly care if his frame is swallowed by solid blacks. Source is crisp and clean. Some mild banding is detected.
The 5.1 DTS-HD MA mix handles Maddin's soundscape with an active listening event, keeping in line with visual impishness. Surrounds are engaged, adding depth to the nervous energy of the feature. Dialogue is intentionally molested, but it's not difficult to follow, tracking performances with clarity. Music sounds full and fresh, offering some welcome low-end. Sound effects are loud and in charge, with scratches and submersions ideally presented.
A little of "The Forbidden Room" goes a long way, and clocking in at two hours, the picture tends to repeat itself as bright ideas are exhausted. Maddin is a visionary, a true artist, but he's never one to quit while he's ahead, with "The Forbidden Room" a feature that's easily appreciated, intricately assembled, inventively imagined, and periodically insufferable.
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