7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
Yoshimi Battles the Pink Robots is the tenth studio album by American rock band the Flaming Lips, released on July 16, 2002, by Warner Bros. Records. The album saw the band pursue a more electronic direction than previous efforts, incorporating acoustic guitars and rhythms influenced by hip hop and top 40 music.
Starring: Wayne Coyne| Music | 100% |
Video codec: MPEG-2
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 5.0 | |
| Video | 3.0 | |
| Audio | 5.0 | |
| Extras | 2.0 | |
| Overall | 5.0 |
The Flaming Lips may be an object example for any musicians out there that if you persevere long enough, maybe someday your efforts may finally get noticed. While this astounding sounding new audio Blu-ray (with a definite visual component in more ways than one, as will be discussed below) is touted as the "20th Anniversary Edition", the original album actually came out in 2002, and rather incredibly, at least given its renown in the admittedly probably lesser known overall context of knowledge about The Flaming Lips in general, Yoshimi Battles the Pink Robots was actually the tenth album from the band, one which itself came some twenty or so years after the band's founding in 1983. If some of The Flaming Lips' subsequent albums like At War With the Mystics, Embryonic and/or The Terror may well have charted higher than Yoshimi Battles the Pink Robots (which got up to Number 50 on Billboard's album chart), the influence of this particular album among aficionados can hardly be understated. This is often elegantly crafted music that also frequently defies categorization (one reason why the band may not have had the kind of "overnight sensation" status of so many flash in the pan groups), and it also has a decidedly experimental edge that translates especially well to an Atmos presentation.


The Flaming Lips: Yoshimi Battles the Pink Robots is presented on Blu-ray courtesy of Warner Records with an MPEG-2 encoded 1080i transfer that is in 1.78:1 for the "responsive" video content that accompanies the actual album, and in a variety of aspect ratios for the music videos. The music videos are products of their time and are obvious (and at times pretty problematic looking) upscales. There are any number of the "usual suspect" bugaboos throughout the music videos, including lots of noise, macroblocking and pixellation, which, when combined with an inherently hallucinogenic approach, tends to not offer a ton of detail. The "responsive" video has an intentionally retro appearance, but offers some really nice suffusion as the various blobs and other shapes pulse and vibrate around the frame. My advice is to "view" this as basically an audio Blu-ray that also offers a few video bells and whistles added for a bit of extra fun.

The Flaming Lips: Yoshimi Battles the Pink Robots features three fantastic sounding audio options, Dolby Atmos (mixed by Dave Fridmann), DTS-HD Master Audio 5.1 (mixed by Dave Fridmann and Elliot Scheiner) and DTS-HD Master Audio 2.0 (mixed by Dave Fridmann). It's actually kind of surprising that this album evidently never got an SACD treatment, though maybe a little hilariously it looks like there was a DVD with a 5.1 surround mix back in the veritable Dark Ages. One way or the other, as mentioned above, this album seems positively engineered (no pun intended) for the kind of immersion that both the Dolby Atmos and DTS-HD Master Audio 5.1 tracks on this disc in particular can offer. You can hear surround activity from the get go, with the kind of cacophonous "sound effect" opening, but continuing on through any number of other interstitial moments where everything from near white noise to daffier discretely channeled effects dot the side and rear channels. That's all fine and good, of course, but the music is also almost constantly "all over the place", not just stylistically, but around all of the surround channels. Vocals can waft from the front channels to the rear and back again, instruments can appear fleetingly in a rear left channel only to reappear again toward the front, and all sorts of the whimsical "and the rest" elements like occasional spoken moments and the like clearly emanate from discrete channels throughout the presentation. I've been reviewing an absolutely wonderful array of audio Blu-rays lately, but I have to say this was one of the most fun Atmos listening experiences I've had recently.

- Flight Test
- Yoshimi Battles the Pink Robots, Pt. 1 begins at 3:51.
- Are You a Hypnotist? begins at 7:30.
- Do You Realize?? begins at 12:15.
- Do You Realize?? (Mark Pellington Version) begins at 15:49.

Rather interestingly, none other than Aaron Sorkin was evidently attached to help musicalize (as in a stage adaptation) this album, though it seems like he parted ways with the project before it got a production at the La Jolla Playhouse many years ago. The stage adaptation actually sounds kind of weird in any case, especially since this psychedelically tinged album may be able to conjure up its own visions even without Animated Visualizer Bleep Blops. Yoshimi Battles the Pink Robots was an ingratiating audio surprise for me, and this release easily comes Highly recommended.
(Still not reliable for this title)

2008

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Censored
2014

Blu-ray Audio | 50th Anniversary Edition
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Blu-ray Audio
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Blu-ray Audio
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