6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Kathy is married to Peter. Now she can't help but wonder how things could have been if she got together with her old boyfriend, Tom. Being married prevents from doing that so she asks her friend, Emily to go to him and see if she can sleep with him then tell Kathy how it was. When Emily tells Kathy that things were awesome, their friendship suffers, at the same so does Kathy's marriage. Things get even more complicated when Emily learns she's pregnant, and she's not certain if it's Tom's or her boyfriend, Elliot.
Starring: Harley Jane Kozak, Elizabeth McGovern, Brad Pitt, Bill Pullman, Larry MillerRomance | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 1.0 | |
Overall | 3.0 |
“The Favor” endured a rocky road to a theatrical release. It was filmed in 1990, willing to hire a young Brad Pitt for a supporting part as a hunky artist, just before his big break in “Thelma and Louise.” However, due to bankruptcy issues with Orion Pictures, the feature actually crawled into theaters in 1994, where nobody made the trip to see it, despite the presence of Pitt, whose marquee value surged during the movie’s lengthy time on the shelf. Watching the effort today, and even a 1990 production year seems too modern for the endeavor, as “The Favor” often resembles product from the mid-1980s, providing audiences with a moldy take on marital blues and escalating misunderstandings, with director Donald Petrie (then the helmer of “Mystic Pizza” and “Opportunity Knocks”) trying to stitch together a proper farce with lackluster elements of comedy. It’s halfhearted work at best, providing a vanilla viewing experience while downplaying edgier viewpoints on domestic satisfaction, secret desires, and an unplanned pregnancy.
The AVC encoded image (1.85:1 aspect ratio) presentation for "The Favor" remains in line with other MGM catalog releases. There's no fresh scan to enjoy, with the viewing experience muted by age, weakening the color palette. There are lively hues helping to break through any fatigue, including a distinct use of red to indicate sinful desires and sexuality, and period hues from 1990 are in full effect. Art exhibits also provide needed variance, boosting primaries. Skintones are within the realm of natural, but push a bit reddish at times. Detail isn't strong, with softness apparent, limiting organic skin textures. Locations are acceptable, with some dimension during outdoor events. Interior visits capture decoration, but never sharply. Delineation is passable, seldom leading into solidification. Source is in good shape, without areas of damage.
The 2.0 DTS-HD MA sound mix presents a basic arrangement of elements, focusing most on dialogue exchanges, which sound clear. Performance choices remain intact, and emphasis during argumentative behavior stays measured, without distortive extremes. Scoring needs are met, but music in general doesn't take command of the listening event. Bluesy rock stays sharp, with the sounds of a harmonica deployed several times throughout the movie. Atmospherics are minor, but domestic bustle and celebratory gatherings are detailed. Sound effects are noted.
"The Favor" is meant to snowball into complete chaos for the final act, and the ingredients are there, following Kathy as she gears up to finally reunite with Tom in the wilds of Colorado, while the hunky enigma isn't quite the dream she remembers him to be (Wahl seems to be having some fun here with shady character interests and an amazing mullet). Peter has whipped himself into a jealous frenzy, and Elliot's confusion and neediness exposes him to a whole new set of troubles. Perhaps in more experimental hands, character madness could flourish, leading to a rousing collisions of temperaments. Petrie just isn't the guy for this kind of storytelling, with his mainstream vision restraining the wilder aspects of the plot, giving the whole endeavor a sitcom style that doesn't inspire laughs or gasps as revelations are made and punches are thrown. Some things do work in "The Favor," and for movie archaeologists, it's amusing to see Pitt in unfinished form, tics and all. However, the effort's mediocrity tends to win out in the end, leaving the picture underwhelming when it clearly wants to be thrilling.
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