7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
When a charming fare named Penny climbs into his taxi cab, Harris, her world-weary driver, finds himself engaged in the only kind of courtship he can have with a passenger -- one that lasts as long as her trip. That is, right up until she disappears from the back seat without a trace. When confusion gives way to reality, he resets his meter and is instantaneously transported back to the moment when she climbed into his cab.
Starring: Gino Anthony Pesi, Brinna Kelly, Jason Stuart (I), Jon Jacobs (I), Matt Fontana| Thriller | Insignificant |
| Romance | Insignificant |
| Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 4.5 | |
| Overall | 4.0 |
“The Fare” aims to conjure the vibe of a “Twilight Zone” episode, even electing to play with B&W as part of its push for mood. It’s a brain-bleeder from writer/star Brinna Kelly and director D.C. Hamilton, who deliver a time loop tale that’s almost completely contained to a single cab riding along in the middle of nowhere.


"The Fare" is an odd looking movie, and the AVC encoded image (2.39:1 aspect ratio) presentation does what it can with all the digital manipulation going on, especially with efforts to transform color cinematography and broad daylight events into black and white noir. Compression issues are common here, struggling with backgrounds, which occasionally burst with banding. Detail is acceptable, providing a pleasing read of faces, getting close to skin surfaces. Cab specifics are noted. Delineation is acceptable, but black levels tend to shift, creating some milkiness along the way.

The 5.1 Dolby Digital track deals primarily with dialogue exchanges, which retain freshness throughout the listening experience. Emotionality is preserved. Scoring is satisfactory, securing the mystery mood with clarity. Surrounds handle atmospherics and cab interior tone well, offering a few separation effects to wake things up. Low-end comes through for violent weather


While "The Fare" is interesting, the material would've been much better served as a short film, as Kelly's ideas are stretched thin by the demands of feature-length moviemaking. The picture wears out its welcome before it climaxes, but there's certainly plenty here for fans of mysteries, sci-fi, and Serling-style strangeness.
(Still not reliable for this title)

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