7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Starring as themselves real-life brothers Tommy and Jimmy Dorsey (alongside many of their actual band-members), with actors filling out the remaining roles, these two icons of Big Band, Jazz and Swing recount the rise and fall of their careers, and the long-running 12-year feud that threatened to keep them from ever performing together again. That is, until the death of their music teacher father, when they finally reunite at the behest of a grieving mother. The life of two of the most important swing and jazz musicians and band leaders.
Starring: Tommy Dorsey, Jimmy Dorsey, Janet Blair, Paul Whiteman, William Lundigan| Biography | Insignificant |
| Romance | Insignificant |
| Music | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.36:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.5 | |
| Audio | 3.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
The Fabulous Dorseys is just one of several pretty fanciful supposed biographical pictures of famous musicians which appeared in the 1940s and 1950s, though the film is rather distinctive in that it features the actual Dorsey Brothers portraying themselves, instead of "stand ins" like Cary Grant for Cole Porter in Night and Day, James Stewart for Glenn Miller in The Glenn Miller Story, Steve Allen for Benny Goodman in The Benny Goodman Story, and/or Robert Walker for Jerome Kern in Till the Clouds Roll By. Unfortunately, what might have given the film at least the hint of an imprimatur of authenticity is pretty much jettisoned in favor of typically glossy Hollywood reinvention of reality, even if the film does occasionally provide a bit of insight into a sibling relationship which was anything but harmonious all of the time. Aside from the participation of the actual Dorsey Brothers, The Fabulous Dorseys is also notable (no pun intended) for a number of impressive cameos by a host of wonderful musicians, including the legendary pianist Art Tatum.


The Fabulous Dorseys is presented on Blu-ray courtesy of The Film Detective with an AVC encoded 1080p transfer in 1.36:1. The Film Detective offers only a generic "transferred in 4K from archival film elements" as technical information, though this comes with a British Censor Board card, which suggests to me this may have been culled from a print held by the BFI or similar organization. There's quite a bit of damage that can be spotted, including some pretty long lived scratches which unfortunately can tend to run right down the middle of the frame (these can be spotted in several of the screenshots I've uploaded to accompany this review). There are also some obvious fluctuations in clarity and contrast, which at times struck me as suggesting perhaps more than one "archival element" may have been used, or at least one that shows some relatively wide variances. On the whole, though, detail levels are quite good when this presentation is at its best, offering secure renderings of patterns on clothes and even things like little smudges that can be seen on the sides of some of the brass instruments. Grain can fluctuate, and while it looks like some scenes with Sara Allgood in particular may have been shot with diffusion filters which can give a hazily soft look to things at times, there aren't any obvious signs of noise reduction.

The Fabulous Dorseys features a DTS-HD Master Audio 2.0 Mono track. There are some occasional moments of crackling in the mid to lower ranges that can be especially noticeable in some of the more bombastic cues, including some of the opening credits music as well as the "big premiere" of the Burton concerto that caps the film. Otherwise, though, music sounds nicely fully bodied within the context of the era's recording technologies. Vocals sound warm and the instrumental backing is typically nice sounding as well. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


The truth of the Dorsey Brothers' success, feuding, success, more feuding, breakup, individual success, reuniting and even more individual and collaborative success probably would have been just as if not more entertaining as this often ridiculous hokum, but the film is at least to be commended for offering the real life Dorseys as well as some great cameos from amazing and legendary musicians (it's especially heartening to see an at least somewhat integrated setting with Tatum jamming with a bunch of white guys). Technical merits are decent if improvable and the C. Courtney Joyner overview of big band films in particular is enjoyable, for those who may be considering making a purchase.
(Still not reliable for this title)

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