6.5 | / 10 |
| Users | 3.5 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
A professional killer comes out ot retirement to investigate and avenge the brutal murder of an old friend.
Starring: Charles Bronson, Theresa Saldana, Joseph Maher, José Ferrer, René Enriquez| Thriller | Insignificant |
| Drama | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1, 1.33:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 3.5 | |
| Video | 2.5 | |
| Audio | 3.5 | |
| Extras | 1.0 | |
| Overall | 2.5 |
Before his career was completely swallowed by an association with Cannon Films and the easy paychecks they provided, Charles Bronson managed to make a few movies with other production entities during his career descent in the 1980s. 1984’s “The Evil That Men Do” is one of the features, reteaming Bronson with director J. Lee Thompson, a frequent collaborator, previously guiding the star through endeavors such as “St. Ives” and “10 to Midnight.” They don’t stray far from their formula, putting screenwriters John M. Crowther and R. Lance Hill to work adapting Hill’s 1978 book, which concerns an ex-assassin brought out of retirement to deal with a South American threat. “The Evil That Men Do” is basic Bronson, focusing on the actor’s steeliness and his fondness for characters involved in vigilante work. And that’s what you get with the picture, which isn’t sharply made or deeply considered, going the B-movie route with material that works well with Bronson’s natural acting limitations and wonderful screen presence.


The image presentation for "The Evil That Men Do" lists the three versions of the feature included on this release as "all in 1080p high definition." Not listed is the age of the source, which appears to be much older. It's a flatter look at the film, with baked-in filtering present. Limited fine detail survives, and grain has noisiness. Clarity is softer with close-ups, exploring the basics in skin particulars and fine hairs. Costuming is also fights for texture. Exteriors lack true distances, exploring the locations as the action heads into more rural areas. Interiors are restrained as well. Color isn't vivid, but hues are understood, working with the brightness of the setting, offering primaries on clothing choices and blue skies. Skin tones are passably natural. Delineation is satisfactory. Lighting has bloomy qualities at times, and a day-for-night sequence registers more purplish than black. The Unrated Cut briefly uses video footage inserts.

The 2.0 DTS-HD MA mix provides a basic understanding of "The Evil That Men Do." Dialogue exchanges remain intelligible, following accents and more heated acts of antagonism. Scoring delivers simple instrumentation with a slightly thinner presence, while dramatic moments are satisfactorily supported. Sound effects are blunt but appreciable.


Holland isn't a killing machine in "The Evil That Men Do," emerging as more of a spy who occasionally takes out enemies. Thompson moves to increase action in the feature's second half, putting Holland and Rhiana on the run, including a car chase where the assassin uses a shotgun to take out his pursuer. Bronson is Bronson in the movie, which works for this type of entertainment, and there's a workable level of ickiness with Clement, who's more of a presence in the offering, not a direct threat. "The Evil That Men Do" manages to work with the limited ideas it has, eventually making its way to a satisfying finale, offering an appropriate closer for a tale that's not really a guns-blazing affair, but something weirdly graphic with its antagonist, yet modest in execution.

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