6.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Robert McCall serves an unflinching justice for the exploited and oppressed, but how far will he go when that is someone he loves?
Starring: Denzel Washington, Pedro Pascal, Ashton Sanders, Orson Bean, Bill PullmanAction | 100% |
Thriller | 38% |
Crime | 14% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 7.1
French: DTS-HD Master Audio 5.1
Spanish: Dolby Digital 5.1
Thai: Dolby Digital 5.1
English, English SDH, French, Spanish, Cantonese, Indonesian, Korean, Malay, Mandarin (Simplified), Mandarin (Traditional), Thai, Vietnamese
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Bonus View (PiP)
Slipcover in original pressing
Region A, B (C untested)
Movie | 2.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 4.0 |
There are two kinds of pain in this world. Pain that hurts. Pain that alters.
Antoine Fuqua's The Equalizer 2 sets out to recreate the structural and storytelling successes of the original film, a finely woven character piece about a man gifted in violence who
does bad things in an effort to set things right. The sequel offers much of the same but this time without the character depth, storytelling dynamics,
and interesting setting that lifted the first to great heights. Washington again inhabits the character with an agreeable demeanor away from violence
and a capable and calm confidence in the midst of it and Fuqua
again crafts the film with obvious know-how. Still, the story falls flat even as its more personal arc moves Washington's McCall in a way the previous
story could
not. This sequel is overly long, somewhat unfocused, and generally predictable. Washington's performance saves it from a total loss. It's entertaining
enough at
its broadest level, but against that vastly superior original this one falls well short of expectations.
The Equalizer 2 was digitally photographed and is quite the looker on Blu-ray. Even without the added resolution muscle and wider spectrum colors offered on the UHD, Sony's 1080p transfer is an absolute delight, with only moderate low-light noise and a few smudgy/softer focus corners the only visual interferences, both of which trace back to the source. There is some distracting shimmering and false coloring on a porch railing seen at the 1:19:04 mark, which is also visible on the UHD. The image is otherwise very clean, razor-sharp, and highly detailed. Amazingly complex skin textures are the norm with countable pores and perfectly defined lines and hairs amongst the highlights. Finely revealing clothing textures are a strength, and environmental details, whether a bookshop interior, the brick walls around McCall's apartments complex, paved city streets, or small things like the fine texture on the seats and steering wheel inside the Chevy McCall drives for his Lyft job are very impressive. Beyond a few smudgier corners, everything in the film is absolutely tack-sharp. Colors are a treat. Skin tone depth is striking, red blood is a visual strength, clothes pop, and graffiti is a treasure of varied and intense colors. Nighttime exteriors offer rich, deep black levels. No compression or encode issues are apparent. This is a first-class Blu-ray release from Sony, and for those who cannot play back the UHD, it's a wonderful alternative that leaves nothing to be desired and isn't all that far behind, anyway.
For its Blu-ray release of The Equalizer 2, Sony has once again left the Dolby Atmos track for the UHD. The Blu-ray features a DTS-HD Master Audio 7.1 lossless soundtrack. And the track is stellar even without an overhead component. The opening train sequence offers exceptional low end weight, full stage immersion, tons of harmoniously complimentary details, and first-rate elemental clarity. The seamless interconnection of surrounds and fronts is a highlight, but the sequence is defined by fantastic, penetrating bass. The track presents an assortment of seamless and high yield world ambience, including reverb in close quarters around the grounds of McCall's apartment complex, bustling city streets, blaring sirens, rolling thunder in chapter five, and background music in a book shop in chapter three. All examples are extremely well engineered and balanced, perfectly immersive and absolutely lifelike. Music is smooth, flowing around the stage with precision placement and faultless clarity whether score or more intensive beats such as those heard in chapter eight, which is followed by a great example of the track's low end prowess, a deep concussive blast that utterly dominates the listening area. Action is loud, aggressive, and like every other component takes full advantage of every speaker in the configuration, opening wide and drawing the listener into the world, all with harmonious balance, from nuanced effects to prominent bass. Every speaker is engaged in nearly every scene with some level of information. Dialogue is well prioritized, perfectly detailed, and firmly grounded in the front-center unless specifically called upon to emanate from elsewhere. No Atmos? No problem. This is the pinnacle of 7.1 lossless audio.
The Equalizer 2 contains a fairly robust supplemental package. A DVD copy of the film and a Movies Anywhere digital copy code are included
with purchase. The release ships with a non-embossed slipcover.
The Equalizer 2 is a perfectly competent film that simply lacks the rich and layered character dynamics of the original. It's plodding and procedural, the story between McCall and his teenage project lacks interest, and the film's finale is spectacular but not quite enough reward for an otherwise slow-to-build and not particularly engaging storyline. It's but a decent successor to the wonderful original. Sony's Blu-ray, on the other hand, is just about perfect. Five-star video and audio are accompanied by a very good assortment of extra content. Recommended.
2014
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Unrated
2015
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2023
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Unrated Cut
2012
Titans of Cult
2014
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