7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Carla Moran awakens one night to find herself being beaten and raped by an unseen presence. Terrified of what's happening to her, and shunned by friends and family who think she's lost her mind, she seeks help from parapsychologists.
Starring: Barbara Hershey, Ron Silver, David Labiosa, George Coe, Margaret BlyeHorror | 100% |
Supernatural | 16% |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 4.1
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 4.5 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.5 |
Sidney J. Furie's The Entity (1982) has been released on Blu-ray before in several countries, including in the US by Anchor Bay, the UK by Eureka Entertainment, and Australia by Umbrella Entertainment. To read the reviews of those editions by my colleagues Marty Liebman and Dr. Svet Atanasov, please click on the hyperlinks above.
My car won't stop!
Scream Factory brings The Entity to Blu-ray in North America for the second time with a Collector's Edition that comes with a slipcover. The film appears in its original theatrical aspect ratio of 2.35:1 on this MPEG-4 AVC-encoded BD-50. While the same master that first appeared seven years ago on the AB and the subsequent BDs overseas has been reused here, there are some subtle but appreciable differences between Scream and the others. You'll notice in Screenshot #s 30 & 31 and 38 & 39 that Scream's transfer is a shade darker. In capture #38, Barbara Hershey's left cheek looks a little pinker.
Screenshot #s 1-5, 7, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27, 29, 31, 33, 35, 37, & 39 = 2019 Scream Factory Collector's Edition
Screenshot #s 6, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 28, 30, 32, 34, 36, & 38 = 2012 Anchor Bay Blu-ray
The 125-minute feature comes accompanied by a dozen chapter selections.
Scream supplies three uncompressed audio tracks: a DTS-HD Master Audio 2.0 Stereo (1602 kbps, 24-bit), a DTS-HD Master Audio 5.1 Surround (2454 kbps, 24-bit) and a DTS-HD Master Audio 4.1 track (2846 kbps, 24-bit). Brett Cameron oversaw the audio restoration for the 4.1 mix. The AB has a Dolby TrueHD 5.1 remix and I thought this new 5.1 DTS-HD MA was more active along the satellite speakers. Dialogue is comprehensible throughout the presentation.
Composer Charles Bernstein's musical motifs for the Entity's unseen presence is the most memorable aspect of the film's soundscape. Bernstein began experimenting with several synths in the early '80s and wove the electronic elements with those of a small orchestra. His famous "thrasher" motif, which signals the Entity's attack on its female prey, pulsates with a strong bass, electric guitar, and drums/percussion. Listening to it on the Blu-ray is one of the lossless tracks' main highlights. Bernstein also wrote a foreboding theme on piano that plays over the main titles and is reprised over the end credits.
Like the AB, the feature comes with optional English SDH.
I first learned about The Entity while watching a TV special on Siskel & Ebert devoted to each critic's "Guilty Pleasures." In retrospect, The Entity has had a profound effect on horror films that's followed it, especially Craven's A Nightmare on Elm Street (1984). There seems to be individual shots and whole scenes that were patterned off Furie's film. (Billy even reminds me of Tina's boyfriend.) I wouldn't categorize The Entity as a guilty pleasure or a cult film. It's a bonafide classic that took huge chances back in 1982. As I've been reading Frank De Felitta's eponymous book, I visualized how he adapted the material into a script and Furie then transferred it to the screen. The movie follows its literary antecedent closely, albeit in condensed form.
This Collector's Edition from Scream Factory would have been the definitive version of the film had the dated print underwent a new 4K scan. It does offer the best selection of lossless audio (re)mixes that the other BDs don't have. I greatly enjoyed listening to Daniel Kremer's feature-length commentary and plan to again. Scream has recorded four new interviews, each of which are worth a listen. If you didn't grab this over the summer, it's worth a purchase. VERY HIGHLY RECOMMENDED.
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