7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A couple, in the days leading up to their wedding, faces a crisis when unexpected revelations derail what one of them thought they knew about the other.
Starring: Zendaya, Robert Pattinson, Mamoudou Athie, Alana Haim, Hailey Gates| Dark humor | Insignificant |
| Drama | Insignificant |
| Comedy | Insignificant |
| Romance | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 3.5 | |
| Overall | 3.5 |
The Drama attempts to answer the age old question "does true love conquer all?", and after hemming and hawing for around 100 minutes, comes to a conclusion with a resounding: maybe. The subtext of a provocative but still probably overly convoluted setup for this film basically boils down to another question, namely, "would you want to be judged by your worst behavior?", though in this case and making the story arguably somewhat less visceral, that perceived bad behavior never really got much past the planning stage. Without posting outright spoilers (but maybe dropping a pretty broad hint), The Drama deals with a character who once was on the verge of exploding in much the same way the Michael Douglas character does explode in the recently reviewed Falling Down, but therein lies the rub, so to speak. This character once considered violence as the answer to undeniably real problems, but chose not to pursue that path. Should that character then be judged on that momentary flirtation with disaster? My personal hunch is many, maybe even most, would unabashedly say "no, of course not", and therein lies another rub, because the entirety of the interaction between the two focal characters here is built largely on one character's reaction to finding out about the other character's supposed peccadillo.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from A24's standalone 1080 release of
The Drama as I think it actually provides a better
representation of the look of the palette in particular, rather than offering screenshots from the 4K disc which are by necessity downscaled to 1080 and
in SDR. Because this release does not include a 1080 disc, the 2K video score above has been intentionally left blank.
The Drama is presented in 4K UHD courtesy of A24 with an HEVC / H.265 encoded 2160p transfer in 1.85:1. This was shot on good, old
fashioned celluloid (the IMDb cites Kodak, for those who care), with a 4K DI (both data points courtesy of the IMDb) and this is another really great
looking offering, though once again at this resolution and
given the enhancements of the HDR / Dolby Vision grades, grain can be pretty gritty and often on the yellow side, and there's a perfect example in the
very first scene against the high white walls of the coffee shop where Charlie and Emma meet. That one niggling concern aside, there is a really nice
organic appearance here that offers texture without ever really diminishing detail levels. For a film that kind of exploits an "everyday" (if arguably
pretty well to do) life in and around Boston, as some of the supplements get into, there was quite a bit of thought put into production design, and fine
detail on sets and costumes is typically excellent. The HDR / Dolby Vision grades may not have a ton to "play" with, so to speak, but admittedly little
moments like the two getting caught in a supposed break in and being suddenly swathed in red do have increased pop in this version.

The Drama features a Dolby Atmos track, which has been an A24 "tradition" now for some time. The film's sound design may frankly not scream for huge immersive moments, but a lot of the outdoor material bristles with background ambient environmental effects (I'd probably argue it's in the outdoor material where Atmos engagement is most apparent) and Daniel Pemberton's score is also nicely spacious. Some unusual source cues also pop up and typically sound great (some archival pieces are understandably narrow sounding). Dialogue and occasional voiceover are rendered without any issues. Optional English and Spanish subtitles are available.


My wife and I attended a wedding some time ago where things devolved rather badly, if not quite as badly as is depicted in this film. In the "I kid you not department", the mother of the groom sent out a somewhat defensive email after the event informing those complaining about the chaos that they "just don't understand the inherent drama and conflict of a wedding". Right. In some ways, that comment emailed to people may be funnier than anything in this film, but there are moments where the black humor offered feels tonally secure. Unfortunately that tends to be an intermittent feeling. Anyone who's a fan of the cast will most likely find this a worthwhile watch despite any stumbles. Technical merits are first rate and the more bounteous (for A24) than usual supplements enjoyable, for those who may be considering making a purchase.

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