6.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex- and violence-filled journey through an America of psychos and convenience stores.
Starring: Rose McGowan, James Duval, Johnathon Schaech, Dustin Nguyen, Margaret ChoSurreal | 100% |
Dark humor | 78% |
Teen | 48% |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
3679 kbps
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
While not a big studio film, The Doom Generation (1995) is an important work in Gregg Araki's career because its $1 million budget granted him a fuller film crew than any other that he had up to this point. It is also significant creatively because Araki experimented more with the image and employed some subversive editing techniques. The Doom Generation is the middle entry in the indie auteur's "Teenage Apocalypse Trilogy." It was preceded by Totally F***ed Up (1993) and followed by Nowhere (1997).
Jordan White (James Duval) and his girlfriend of three months, 18-year-old Amy Blue (Rose McGowan), leave a nightclub for a drive-in movie theater where they are about to make love for the first time. But they are interrupted by a man climbing on top of Amy's car. Xavier Red (Johnathon Schaech) is a mysterious drifter who's been attacked by skinheads and bolts into Amy's car, asking her to quick drive away. Jordan, who calls Xavier "X," welcomes the stranger but Amy wants him to get out. Nonetheless, she lets X stay and the trio head to a Quickie Mart. When Amy and Jordan attempt to checkout some items, they realize they've left their money in the car. That doesn't sit well with the cashier (Dustin Nguyen), who threatens them at gunpoint with a shotgun. X intercedes the confrontation by "accidentally" killing (as he puts it later) the Quickie Mart clerk. After fleeing the scene, the three drifters approach a drive-through window at a fast-food restaurant where a cashier (Nicky Katt) claims that Amy is an ex-lover of his. Amy is appalled by the claim and cusses him out. Agitated, the cashier also pulls out a shotgun and fires at Amy's careening car.
The angst-ridden teens live off fast food, coffee, cigarettes, and drugs. (Amy is a crystal meth addict.) They hop from one cheap motel to another where Amy has sex not only with Jordan, but also with X. The easygoing Jordan is none too upset with his girlfriend even if he suspects that she and X have been furtively having sex together. While The Doom Generation is taglined Araki's "first heterosexual movie" (an in-joke from one of his producers), it contains queer tropes and homoerotic innuendos. For instance, Jordan and X exchange desirous glances with each other and come close to kissing on at least a few occasions. X is ambisexual and Jordan may well be bisexual.
Strand Releasing gives The Doom Generation its global debut on Blu-ray with a remastered 2K transfer approved by writer/director Gregg Araki. This is taken from a 4K scan of extant film elements. This is the fully uncut version that first premiered at Sundance in 1995. There have been uncensored versions that have appeared on VHS and DVD containing much, if not all, of the footage on this Blu-ray. But the 1998 Trimark and 2007 Lionsgate DVDs are both presented in 1.33:1. Ararki laments in the "Director's Notes" on the reverse side of the front cover that the pan-and-scan transfer is "so technically inferior it makes me queasy watching it." Cinematographer Jim Fealy shot TDG in 1.85:1. (This was the first time an Araki picture was filmed on 35 mm.) Some of the international DVDs of the movie present it in 1.85:1, including the Second Sight Films disc released in 2012. Strand's press notes state: "The film has been completely retimed and reedited for today's technological standards." The colors haven't been tweaked much from DVD, though. If you notice from the handful of shots I've assembled from the Strand and Second Sight transfers, the Blu-ray has boosted the brightness by a shade or two. The banner "AMERICA: LOVE IT OR LEAVE IT" in the Quickie Mart has a darker, more natural blue in SD than on the BD, I'd argue. Also, the lighting is more pronounced on the checkerboard floor when one compares the Strand with Second Sight's, which is darker. The Strand shows more picture information along the left and right edges. The Blu-ray shows some dirt in the first reel and occasional white specks, which are very small. The Boston Globe's Jay Carr characterized the picture as "photographed at night in neon light, or through a series of popsicle-colored filters." One comes away with that aesthetic impression especially when viewing the 1080p presentation. The MPEG-4 AVC-encoded BD-25 displays a mean video bitrate of 30957 kbps. My video score is 4.25/5.00.
Screenshot #s 1-15, 17, 19, 21, 23, & 25 = Strand Releasing 2023 4K-scanned Blu-ray
Screenshot #s 16, 18, 20, 22, & 24 = Second Sight Films 2012 DVD
Eight chapters accompany the 83-minute feature.
Strand has supplied a DTS-HD Master Audio 5.1 Surround remix (3679 kbps, 24-bit) as the lone film sound track. From Strand's press notes: "The sound is remastered to compliment today's new audio standards in a new 5.1 mix." Much of the sound track is situated along the front channels. Dialogue is very clear and crisp. The background surrounds are mainly used when there are songs heard and there are a lot of them. (Excerpts from twenty-six ballads in all.) Araki incorporates music from Nine Inch Nails, Belly, The Jesus & Mary Chain, Cocteau Twins, Pizzicato Five, Love & Rockets, and many other bands. Late in the film, Araki makes effective use of the SR speaker for a dialogue passage.
Strands provides optional English SDH for the feature.
Strand's release includes an archival commentary track and ancillary extras. Missing is an exclusive 25-minute interview that Second Sight did with Araki in 2011 for the UK DVD. The writer/director discusses the origins of The Doom Generation and his Teenage Apocalypse Trilogy. He also describes working with Rose McGowan, James Duval, and Johnathon Schaech. In addition, Araki spends time explaining why he had celebrities and well-known figures in pop culture make cameos in the film.
Araki's radically innovative The Doom Generation blends punk, black comedy, and horror in this acid trip of a road movie. Strand Releasing's recent 4K restoration of the picture is very good. It's noticeably brighter than Second Sight's DVD. It looks relatively clean and very sharp. I would have appreciated more grain as there is on the R2 UK DVD. I also would have liked Strand to have offered the original stereo on an alternate track. Second Sight presents it as a Dolby Digital 2.0 mix on its SD disc. The vintage commentary track has been rehashed here. (I would have loved one with just Araki.) Strand's other extras are short. The Second Sight has a very fine interview with Araki. I am highly anticipating Strand's 4K restoration of Nowhere. The indie label's edition of TDG earns a SOLID RECOMMENDATION.
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