6.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Dr. Julian Blair is engaged in unconventional research on human brain waves when his wife is tragically killed in a freak auto accident. The grief-stricken scientist becomes obsessed with redirecting his work into making contact with the dead and is not deterred by dire warnings from his daughter, his research assistant, or his colleagues that he is delving into forbidden areas of knowledge. He moves his laboratory to an isolated New England mansion where he continues to try to reach out to his dead wife. He is aided by his mentally-challenged servant Karl and abetted by the obsessive Mrs. Walters, a phony medium, who seems to exert a sinister influence over him. When their overly curious housekeeper discovers the truth about their experiments, her death brings the local sheriff in to investigate...
Starring: Boris Karloff, Richard Fiske, Amanda Duff, Anne Revere, Cy SchindellHorror | 100% |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 2.0 | |
Overall | 3.0 |
Note: This film is available on Blu-ray as a part of
Karloff at Columbia.
Boris Karloff has one of the more amazing filmographies in the annals of show business history, with the IMDb listing over 200 (!) acting credits for
the
venerable
performer. One of the kind of interesting if at times kind of weirdly unstated aspects of that success is the fact that Karloff managed his career in
at least some of the
1930s
and 1940s without the traditional “seven year contract” that was regularly doled by the major Hollywood studios in the Golden Age of filmmaking.
In
fact, many online biographies of Karloff don’t even mention any contracts, though the fact that a 1931 contract Karloff signed with
Universal
fetched over eleven thousand dollars in an auction is certainly more than enough evidence that (of course) some kind of contract was
signed
for various appearances. That said, Karloff at Columbia provides clear separate evidence that Karloff, unlike many other major
stars
of that same general period, was never officially tied down to one particular studio (many film fans almost automatically associate Karloff with
Universal during this period), at least for any extended period of time. The fact that Karloff was
also a guiding light behind the then nascent Screen Actors Guild may give credence to the hunch that Karloff was eerily prescient in being able to
see
that a studio’s contractual “hold” over a performer was something to be avoided, not chased, in an awareness that arguably came years before
such
heavyweights (and, notably, women) as Olivia de Havilland and Bette Davis started actual legal proceedings to chip away at the “seven year
indentured servitude” that
studios often required of their stars. Eureka Entertainment has now assembled six of Karloff's Columbia features made between 1935 and 1942
(the same period when Karloff was also appearing in films bearing the studio imprimaturs of everyone from Universal to Monogram to RKO) in an
appealing set that may not
include any outright masterpieces, but which show quite clearly just how versatile an actor Karloff was.
The Devil Commands is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 1.33:1. This presentation suffers from some noticeable, if again relatively minor, signs of age related wear and tear, with quite a few nicks, scratches and especially flecks showing up with pretty fair regularity. Just as noticeable are consistent brightness fluctuations and flicker, something that becomes even more apparent in some of the darker scenes in the film. Grain is heavy but resolves naturally.
The Devil Commands features an LPCM 2.0 Mono track that does show some very slight distortion during the opening theme, and occasionally tiptoes around it in some later underscoring in particular. Dialogue and effects make it through the gauntlet of time and tide fairly well, all things considered, and there are no issues with outright damage or dropouts. Optional English subtitles are available.
I wouldn't be surprised if people think my general 3.0 score for this film is overly generous, but any film that offers a bevy of corpses wearing metal suits and gathered in a quasi-seance with a similarly outfitted Anne Revere is aces in my book. It probably goes without saying that this film is patently ludicrous, but incredibly it has just the barest hint of honest human emotion lying just beneath the surface. Video and audio encounter intermittent issues, but the accompanying commentary is very enjoyable, for those who are considering a purchase.
(Still not reliable for this title)
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