5.9 | / 10 |
Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
Tormented by a crippling sense of responsibility for his disabled wife (a former policewoman), a seemingly ordinary cable repairman channels his sense of injustice into a dark path of vigilantism.
Starring: Ry Barrett, Tianna Nori, Jessica Vano, Duncan McLellan, Gerrit SepersHorror | 100% |
Thriller | 14% |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: LPCM 2.0 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 1.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 1.5 |
MPI Media's Dark Sky Films has found some notable gems on the horror festival circuit, but The Demolisher isn't one of them. A misbegotten mashup of the vigilante genre and stalker tropes from Halloween, the Canadian production is a poster child for cinematic incoherence. It's hard to terrify an audience when they can't figure out what's happening.
Captured on the Arrix Alexa, The Demolisher's 1080p, AVC-encoded presentation offers the usual virtues of digital capture, including good detail and sharpness and an absence of noise or interference. Color has been mostly desaturated, with occasional strong washes of blue or red. Blacks are solid, and shadow detail is adequate, for the most part, although some scenes appear underlit. MPI has mastered the film with an average bitrate of 20 Mbps.
The Demolisher's lossless DTS-HD MA 5.1 soundtrack throbs with electronic bass from Glen Nicholls' score, which counterpoints the low frequencies with squealing metal and discordant notes that are meant to scare (but rarely do). A few rear-channel effects conveying action off-camera provide sonic interest. The dialogue is consistently intelligible. MPI has included its customary PCM 2.0 alternative track.
Eighty-six minutes can feel much longer when you're stuck watching a film where you're
constantly unsure about who's doing what to whom and why. Bending (or breaking) genre
conventions can be an effective technique, but The Demolisher's creators don't even seem to
know what those conventions are. Skip it.
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