6.8 | / 10 |
Users | 0.0 | |
Reviewer | 1.0 | |
Overall | 1.0 |
A small-town sheriff searches for the outlaws who killed his wife and son.
Starring: Richard Harris (I), Rod Taylor, Al Lettieri, Neville Brand, William Smith (I)Western | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono
French: Dolby Digital 2.0 Mono
Spanish: Dolby Digital 2.0 Mono
Spanish=Latin & Castillian
English SDH, French, Japanese, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 0.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 1.0 |
Nearly every Blu-ray announcement from the Warner Archive Collection provokes a variation of the
same outraged complaint: "Why are you releasing that when you could be releasing this?"
("This" always refers to a favorite title the complainant is desperate to see.) But WAC's
distribution model only works when the company chooses titles that can sell enough discs to
recoup their investment in remastering. Whether you're talking about a musical, a fantasy or
some cult rarity, every film has its fans. Every person's "that" is someone else's "this".
But how can one explain WAC's latest Blu-ray release, a 1973 disaster called The Deadly
Trackers that has been deservedly forgotten and which no one was clamoring to have on Blu-ray?
The film began as an adaptation by the now-legendary Samuel Fuller of his short story "Riata",
but Fuller was fired from the project shortly after production began—reportedly at the behest of
star Richard Harris—and replaced by veteran TV director Barry Shear. Most of the film was
recast, and the script was rewritten by many hands. Screenplay credit eventually went to Lukas
Heller (The Dirty Dozen), but Harris and co-star Rod
Taylor contributed numerous scenes. What
had begun as Fuller's version of a spaghetti Western relocated from Spain to Mexico, where
filming continued with a local crew and enough footage was shot to allow editors to cobble
together a semi-coherent narrative. The final product pleased no one, and Warner quickly
consigned it to limited release and subsequent oblivion.
In 2008, however, the studio released a double feature of Harris' Westerns on DVD, pairing
Trackers with Man in the
Wilderness, an earlier and far superior effort based on the history of
frontiersman Hugh Glass (more recently depicted in The
Revenant). The two-disc package sold
well in stores, from which someone inferred that both films had a sufficient fan base to justify re-releasing them on Blu-ray. Eight years later, with
brick-and-mortar retailers eliminating catalog
titles from their media inventory, the unenviable task of implementing that corporate decision fell
to WAC. The company has done its usual commendable job, but I doubt the disc will be flying
off e-tailers' shelves.
The Deadly Trackers was shot by Mexican cinematographer Gabriel Torres, who, like director
Shear, was a TV veteran. The film's photography reflects its troubled production history and
patchwork editing, with many obvious signs of rush and compromise, e.g., a scene of Al Lettieri
lying on the ground where the exceptionally heavy grain indicates an underlit shot that was
pushed in processing (you can't miss it, because the editors keep cutting back to it). Nearly all of
the film's opticals suffer from fluctuating densities, beginning with the opening titles.
Newly transferred from an interpositive at 2K, Trackers arrives on this 1080p, AVC-encoded
Blu-ray with all of its flaws intact but looking better than it has any right to. Colors are decently
saturated, especially the red of the fake-looking blood, and blacks are generally adequate,
although they sometimes shade toward gray (which, I suspect, reflects the look of the original).
The image is free of dirt and print damage, and the film's grain has been retained, even when it's
distracting (as in the shot noted above). Detail is weak in long shots but stronger in closeups; the
overall softness of the image reflects the limitations of the source. Trackers has been mastered at
WAC's now-standard average bitrate of 35 Mbps.
The video score for this title reflects the accuracy of the presentation, with some discount for the
weakness of the original image.
Trackers original mono track has been encoded in lossless DTS-HD MA 2.0, and it's adequate but nothing to get excited about. Dynamic range is reasonably broad for the period, and the dialogue is (mostly) intelligible, though the post-dubbing is obvious and often poorly synchronized. The score is credited to Fred Steiner, yet another TV veteran, who too often falls back on emulating Jerry Fielding's score for The Wild Bunch.
The sole extra is the film's trailer, which has been remastered in 1080p (1.85:1; 2:45).
Some films really do deserve to be forgotten, and The Deadly Trackers is one of them. Save your
money for the
upcoming Man in the Wilderness.
2016
1986
Warner Archive Collection
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1961
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