5.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A family are involved in an accident and take refuge in a secluded inn, where they free a girl locked in a basement without knowing she's an ancient evil.
Starring: Peter Facinelli, Sophia Myles, Nathalia Ramos, Carolina Guerra, Julieta SalazarHorror | 100% |
Thriller | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.44:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 3.5 |
A horror film about travelers who knock on the wrong door may not be original, but there's a difference between a movie that does something interesting with the premise and one that wastes it. For an example of the latter, see the 2013 dud Seven Below (or, preferably, don't). An example of the former is MPI Media's The Damned, an independent American production shot in Colombia with an international cast and a Spanish director, Victor Garcia, who was finally getting a chance at a decent script after being stuck with forgettable sequels like Mirrors 2. The film was originally called Gallows Hill, but the title was changed for reasons that can't be discussed without venturing into spoiler territory. The Damned may not have been the best choice for an alternate title, especially since it had already been claimed by the 1969 classic directed by Lucino Visconti. But at least it's an accurate description. The script by Richard D'Ovidio (The Call) relies more on atmosphere and conflict than on elaborate effects and explicit gore, although The Damned supplies just enough of the latter to pay off the suspense. Perhaps the film's greatest asset is its cast, led by Peter Facinelli (Nurse Jackie and The Twilight Saga) and Sophia Myles (Transfomers: Age of Extinction), none of whom are regulars in the horror genre.
As can be observed in the "Making Of" featurette included in the extras, The Damned was shot on Red cameras; the cinematographer was Spanish DP Alejandro Moreno, and the producers confirm in their commentary that the film was substantially color-corrected in post-production on a digital intermediate. MPI Media's 1080p, AVC-encoded Blu-ray, which was presumably sourced from digital files, has the clean and smooth surface that Red cameras so frequently deliver, which provides an interesting contrast to the torrential downpour and textured interiors of the house where most of the film's action plays out. Except for spurts of blood, the color palette is muted to blend into the faded decor and dark shadows of the house and basement, but the blacks are so well-defined, and the shadow detail good enough, that the various shadings of darkness always reveal exactly what we need to see. Except for occasional banding at scene transitions, no artifacts appeared. The 87-minute film has been mastered on a BD-25 with an average bitrate of 24.30 Mbps.
The dominant presence on The Damned's lossless DTS-HD MA 5.1 soundtrack is the pounding rain, and the track has been carefully mixed so that the sound of the rain changes depending on where the viewer is situated inside or outside, whether the windows are open or shut, whether the action remains upstairs or has moved into the basement, etc. Several key sequences involving vehicles also have impressive sound editing, as do segments involving demonic "vocals" (I don't want to be more specific, but you'll know them when you hear them). Some viewers may find subtler sounds like the skittering of bugs and the rending of flesh by the evil force even more disturbing than the bigger effects. The tense horror score was supplied by American composer Frederik Wiedmann, who previously worked with Garcia on Mirrors 2 and is probably best known for his work on several DC comics TV adaptations, including Green Lantern: The Animated Series. As is often the case with MPI's releases, a PCM 2.0 track is also included. Note that the film contains a substantial amount of Spanish dialogue, which is translated by non-switchable English subtitles.
Horror fans are a finicky crowd. Some want an entirely fresh plot; others want as much explicit gore as possible; and still others seem to dislike everything but the classics. The Damned isn't especially original; it isn't a gore-fest; and it certainly isn't a classic. What it has going for it are strong performances, a clear directorial vision and a tautly edited pace that doesn't waste your time. If those elements sound appealing, then the film is worth a look. The Blu-ray is certainly well-produced, and the two commentaries are insightful.
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