6.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
The leader of a biker gang takes exception to an artist sketching them, so he makes plans to crush the artist's hands.
Starring: Bruce Dern, Melody Patterson, Chris Robinson (I), Walter Robles, Randee Lynne JensenDrama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 2.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 3.0 |
1969’s “The Cycle Savages” tries to tap into an industry trend, presenting the exploits of a biker gang on the loose, causing some amount of trouble wherever they go. Those accustomed to more forceful acts of intimidation and violence might want to take a pass on this film, which focuses on a mad dog gang leader’s tireless quest to…break an artist’s hands. Yeah, that’s it for viciousness in “The Cycle Savages,” which seems to be under the impression that slight bodily injury is the key to anarchic horror. The subgenre needs a little more awfulness to truly scratch that exploitation itch.
Pulled from the MGM vaults, "The Cycle Savages" comes to Blu-ray with an AVC encoded image (1.78:1 aspect ratio) presentation. The viewing experience shows its age, with a softer sense of detail, with some mild filtering. Skin surfaces register with a modest degree of texture, as does costuming, coming into contact with soiled denim and tight polyester. Exteriors are adequate, handling a few dimensional locations. Colors are acceptable, favoring a darker palette for biker gang outfits and blackened interiors. Period style delivers a little extra punch with blues and reds, and greenery is passable. Delineation is satisfactory. Source is a little rough, with speckling and scratches detected throughout.
The 2.0 DTS-HD MA sound mix also suffers a bit from age, but dialogue exchanges are satisfactory, presenting biker gang arguments and romantic whispers with reasonable clarity. Music handles a bit harshly, with fuzzier highs, but the rock atmosphere is appreciable. Hiss is present throughout the listening experience.
"The Cycle Savages" offers emphatic performances from Dern and Patterson, who try their best to make something out of a dud. Such efforts are lost in a surprisingly dull endeavor, with Brame not up to the challenge of delivering a disturbing and stylish biker gang extravaganza.
1967
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