6.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The film unfolds in the aftermath of a devastating virus which transformed the infected into zombie-like monsters. Mankind is struggling to rebuild societies deeply divided between the uninfected and those who did succumb to the virus and are still haunted by their violent actions. In the backdrop, the rise of a terrorist movement threatens to plunge the world into chaos again.
Starring: Elliot Page, Sam Keeley, Tom Vaughan-Lawlor, Stuart Graham, Paula MalcomsonHorror | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.0 |
There’s a lot of competition out there for the zombie lover’s dollar, inspiring filmmakers to find new and interesting ways to refresh genre particulars, refusing to submit the same old stomp to moviegoers demanding a little more from their flesh-chewing entertainment. Making his directorial debut for “The Cured” is David Freyne (who also scripts), who twists the subgenre in a more allegorical fashion, using the menace of “infected” types to explore political history in Ireland and the violent extremism that plagues all corners of the world today. “The Cured” isn’t light, bloody fun, retaining an impressively curated heaviness about it, with Freyne laboring to making something different with familiar working parts, coming up with an impressively forbidding tone and emotional urgency to reach beyond expectations.
The AVC encoded image (2.40:1 aspect ratio) presentation for "The Cured" remains comfortable with shadows, finding the darker cinematography (which favors a lot of natural light) keeping frame information for monstrous encounters. Clarity is satisfactory, offering sharpness with facial surfaces as they volley between the infected and the healthy, and signage around town is easy to spot, adding to the atmosphere. Costuming stays fibrous. Colors are intact, supplying stable primaries for Dublin tours, showcasing lush greenery, while makeup work is appropriately ghoulish, offering distinction for cursed characters. Skintones are natural.
The 5.1 DTS-HD MA sound mix isn't a hugely immersive event, using the surrounds sparingly but effectively, with some appealing movement behind walls, while crowd panic remains lively and detailed. It's more of a frontal listening experience, and a great one, with strong dialogue exchanges that preserve thespian choices, juggling accents and intensity with ease. Scoring selections come through with strength. The feature uses a lot of loud shocks to achieve some scares, and those moments remain powerful, and low-end captures explosions and stampeding with a compelling rumble.
Much like last year's "The Girl with All the Gifts," "The Cured" locates a fresh way to manage old business, and the pressure on Senan to resolve his tortured past and expose secrets leads to some uniquely charged scenes, brought to life through feeling performances from Keely and Page, who's rarely this vulnerable onscreen. Freyne has a good grip on visual needs and apocalyptic escalation, and while the feature isn't interested in arranging truly terrifying encounters, it does well with unease, discovering intimate areas of remorse to examine. For this kind of film, such patience with psychological details is welcome, with Freyne generating a dire environment where threat not only emerges from physical frights, but the power of memories collected while completely out of control.
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