7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A respectable couple who have been married for several years are overjoyed when the wife unexpectedly gets pregnant. Close to giving birth, her hopes are shattered when she get attacked by a black German Shepherd. The shock of the attack makes her lose her son. To help his wife forget the tragedy, the husband takes her to the same beach where they spent their honeymoon, she recovers then becomes attach to a stray dog that befriends her, The dog is also a black German Shepherd. One day her Husband arrives home finding his wife in bed with her wedding gown on the side spotting marks of the Dog paws all over the dress knowing that his wife just had sex with the dog. will the bourgeois housewife chooses the love for her black German Shepherd over the relationship with her husband?
Starring: Ana Belén| Foreign | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Spanish: DTS-HD Master Audio 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
Severin's trifecta of simultaneously released cult items, this film, A Dog Called... Vengeance and The Mummy and the Curse of the Jackals, have a number of interesting tethers. Among the more overt is the perhaps unintentional (or maybe intentional) "callback" to venerable Universal horror enterprises in two of the three titles. But a potentially more provocative link can be found between A Dog Called. . .Vengeance and The Creature, as they both utilize canines as kinda sorta metaphors to help dramatize a Spain emerging from its long virtual "captivity" under the reign of Francisco Franco. A Dog Called. . .Vengeance featured a "starring turn" by an absolutely vicious German Shepherd which had been tasked with tracking down (and mauling) escaped political prisoners. The Creature takes a somewhat more, um, intimate approach toward this metaphor, with a troubled woman named Cristina (Ana Belén) more or less forsaking her mostly estranged husband in favor of another German Shepherd. That "bestiality" aspect certainly gives The Creature a decided edginess, to the point that some of the film's putative political points may get buried in all of the shock and/or awe.


The Creature is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 1.85:1. As usual, Severin doesn't provide a ton of technical information on the transfer, though the back cover states "now scanned in 2K from the negative". This is a kind of interesting looking presentation when compared to the two other Severin releases coming out simultaneously. This seems to have undergone some filtering, as grain is much less evident in this presentation than in the two others. That said, there are interstitial moments where grain suddenly spikes (weirdly, never really related to the "usual suspects" like opticals and/or lighting conditions), including a brief insert of Cristina reacting to the rabid dog very early in the story. Perhaps because the bulk of this presentation looks so relatively grain free, these spikes may be even more noticeable. This also has some of the same yellowish undertone that I noted in our A Dog Called... Vengeance Blu-ray review, and as with that presentation, things like open water vistas can have a somewhat greenish appearance. Otherwise, though, the palette is at least reasonably suffused, and in fact actually pops rather well in some of the more brightly lit moments.

The Creature features a DTS-HD Master Audio 2.0 Mono track in the original Spanish. This is a nicely full bodied track for the most part, and some of Víctor Manuel's quasi-chamber cues sound especially nicely burnished. Effects like the growling of dogs is also decently forceful. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


While there's no one getting a hatchet square through their noggin as in The Cannibal Man, there are "other" kinds of shocking images in this story, though de la Iglesia may restrain himself if only slightly from getting into really provocative presentational moments. The whole emotional ambience of this film is so roiling that the scenes between Cristina and Bruno (the name of the dog she adopts) almost become simply part of the totally unbalanced tenor of the story. While the perceived "political" aspects of the story are certainly there to be seen, some may feel as I do that the unbridled gonzo-ness of the screenplay may actually make them recede into the background. This transfer looks a bit filtered to my eyes, but audio is fine, and the supplements are quite interesting, for anyone who may be considering making a purchase.

La Casa Sin Fronteras
1972

I ragazzi del massacro
1969

Slipcover in Original Pressing
2019

La via della prostituzione
1978

檻の中の妖精 / Ori no naka no yôsei / The Nikkatsu Erotic Films Collection
1977

Emmanuelle Exposed / Las orgías inconfesables de Emmanuelle
1982

Cristiana monaca indemoniata
1972

The Real Emanuelle
1974

Storia di una monaca di clausura
1973

1981

Schande / Slipcover in Original Pressing
1988

Club privé pour couples avertis
1974

The Price of Sin / Forbidden Fruit: The Golden Age of the Exploitation Picture, Vol. 10
1966

Black Cobra Woman / Eva nera
1976

La vera storia della monaca di Monza
1980

Overdose
1983

1970

Standard Edition
1972

Je suis frigide... pourquoi?
1972

Immagini di un convento
1979