The Creator Blu-ray Movie

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The Creator Blu-ray Movie United States

Blu-ray + Digital Copy
Disney / Buena Vista | 2023 | 133 min | Rated PG-13 | Dec 12, 2023

The Creator (Blu-ray Movie)

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Movie rating

7.1
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer3.5 of 53.5
Overall3.5 of 53.5

Overview

The Creator (2023)

Amid a future war between the human race and the forces of artificial intelligence, Joshua, a hardened ex-Special Forces agent grieving the disappearance of his wife, is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war—and mankind itself.

Starring: John David Washington, Madeleine Yuna Voyles, Gemma Chan, Allison Janney, Ken Watanabe
Director: Gareth Edwards

Sci-Fi100%
DramaInsignificant
RomanceInsignificant

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 2.76:1
    Original aspect ratio: 2.75:1

  • Audio

    English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
    French: Dolby Digital 5.1 (640 kbps)
    Spanish: Dolby Digital 5.1 (640 kbps)

  • Subtitles

    English SDH, French, Spanish

  • Discs

    Blu-ray Disc
    Single disc (1 BD)
    Digital copy

  • Packaging

    Slipcover in original pressing

  • Playback

    Region free 

Review

Rating summary

Movie3.5 of 53.5
Video5.0 of 55.0
Audio5.0 of 55.0
Extras2.0 of 52.0
Overall3.5 of 53.5

The Creator Blu-ray Movie Review

What's it all about, Alphie?

Reviewed by Jeffrey Kauffman December 5, 2023

This may not be the prevailing opinion, but at least currently (emphasis on that currently part) there are limits to so-called artificial intelligence. Case in point: when the recent fracas involving Sam Altman and OpenAI broke out, and because I have a completely unkempt sense of humor, I of course headed over more or less immediately to ChatGPT to ask it (him? her? them?) what was going on, and was repeatedly told, "I don't have up to date information", no matter how I phrased the question. Yeah, right. That perhaps hilarious outcome notwithstanding, The Creator posits a (near) future world where A.I. has few if any limits, and we poor, distraught humans may be on the brink of extinction as a result (something that evidently played into OpenAI's Board attempting to remove Altman, since they evidently were more concerned about that potentiality than Altman was, at least according to some news reports). In a way it's also kind of funny to hear co- producer, co-writer and director Gareth Edwards talk in the making of supplement included on this disc about wanting to approach a studio with the idea of producing a science fiction extravaganza for what many bean counters might think of as a miniscule budget, since The Creator reportedly ended up costing some $80 million, certainly not a "mere pittance" by anyone's standards. The result is a frequently very interesting film, with some perhaps slightly muddled "metaphysics", but which has some rather interesting "echoes" of any number of both science fiction tinged and other offerings, including (and get ready for a trifecta you've probably never seen before) District 9, Apocalypse Now and Little Buddha, as odd as that may sound.


While there's a certain "apartheid" element to the story with regard to A.I. creatures (quasi-aliens) being sequestered to one region that may recall District 9, there's also an opening montage of quasi-"found footage" that may also recall that earlier effort. Here, it's a quick "survey" documenting the rise of robots and artificial intelligence, which supposedly leads to a devastating nuclear explosion in Los Angeles perpetrated by our supposed "helpers". That leads the Western countries to outlaw A.I., while the kind of 1984-ish sounding New Asia still approves of the technology. That has led the United States to launch various missions into New Asia to take out A.I., courtesy of a flying fortress known as NOMAD.

Joshua Taylor (John David Washington) is a vet living with his pregnant wife Maya (Gemma Chan) in an idyllic New Asia locale, when they're suddenly beset with a NOMAD expeditionary force invading their little enclave. It's quickly revealed that Taylor is actually an undercover operative working with the United States military to find the whereabouts of Nirmata, who is supposedly responsible for A.I. "evolution". This is just one place where the screenplay might have been a bit more forthcoming, something that spills over into a later revelation involving a new "super weapon" that Nirmata evidently created, a child "simulant" (as the robots are called in this enterprise) whom Jackson dubs Alphie (an absolutely adorable Madeleine Yuna). Two questions may occur to inquiring minds about this particular plot strand, which admittedly may have at least allusive answers offered: first, did an adult simulant give birth to Alphie, and second, can child simulants actually grow up? Vis a vis nothing in particular other than production design, there is a rather wide gamut of simulant "looks" in this enterprise, including quasi-humans but also (to cite yet another weird cinematic referent) what almost look like, well, grown up WALL•Es.

Without revealing too much of a rather convoluted plot, suffice it to say that Maya seems to have been killed during the NOMAD attack, and Taylor, who has gone to work cleaning up a highly radioactive Los Angeles, is approached by the military again, including Colonel Howell (Alison Janney), to return to New Asia to try to track down the "new, improved" weapon that turns out to be Alphie. The military hints that Maya may still be alive and that if Taylor joins the mission, he may be able to reunite with her. The upshot of all of this is that Taylor and Alphie end up on a "road trip" of sorts as they attempt to get to safety behind New Asia enemy lines. Here is another place where some kind of wobbly writing doesn't help matters, because if New Asia is a haven for simulants, why would Alphie need to be "hidden", so to speak, with Taylor making her wear a cap to hide her machine like rear "skull"?

There is of course a relationship that develops between Taylor and Alphie, all within the context of Taylor still trying to track down Maya. There are once again what I at least perceive to be deficits in the writing, logic and presentation of what supposedly occurs, and the implied parentage of Alphie probably only raises more questions than it supposedly answers. The conceit of breaking this story into veritable "chapters" with intertitle headings also was probably unnecessary. On the plus side, both Washington and (especially) Voyles are appealing, and the visuals are often astounding.


The Creator Blu-ray Movie, Video Quality  5.0 of 5

The Creator is presented on Blu-ray courtesy of 20th Century Studios and Disney / Buena Vista with an AVC encoded 1080p transfer in 2.76:1. Captured with a variety of cameras including some Sony models (kind of hilariously, I think this is the first IMDb technical specs page I've seen where a drone is listed first) and finished at 4K, this is, as mentioned above, often astounding from a visual perspective. While I am once again recommending those with the appropriate equipment to opt for the 4K UHD release, you really can't go seriously wrong with this really great look presentation. I often tend to favor 1080 presentations of 35mm material when compared to a 2160 release, but kind of ironically, the very heavy at times digital grain that attends this presentation actually struck me as rather organic looking, though it's arguably just a tad less visible in this 1080 version than on the 4K UHD disc. It definitely gives a textured, gritty appearance, especially against brighter backgrounds, but it never seemed inartfully done to me. Detail levels are often superb throughout the presentation, at times surprisingly so given some aggressive grading and frequent low light sequences. The film repeatedly utilizes either blue or yellow tones, all of which pop extremely well and surprisingly don't lead to much if any fine detail deficits.


The Creator Blu-ray Movie, Audio Quality  5.0 of 5

The Creator sports a very nicely immersive DTS-HD Master Audio 7.1 track. Our scores above can only "say" so much, and at times I have been known to give a 1080 disc's 7.1 rendering a half point off so that I have "room" to give a full five stars to a 4K UHD disc's Atmos track, but in this particular instance, while I once again recommend those with the proper equipment to opt for the 4K UHD release with its Atmos track, the 7.1 rendering on this disc is superb on its own merits. There are impressive immersive capabilities in this track despite the lack of the Atmos "verticality", with excellent ambient environmental effects in particular engaging the side and rear channels. Some of the cacophonous urban material as well as the many shootouts and other explosions provide regular LFE and some fantastically enveloping sound effects. Hans Zimmer contributes another first rate score, one which has just hints of Asian sounds like gamelan. Dialogue is rendered cleanly and clearly throughout. Optional subtitles in English, French and Spanish are available.


The Creator Blu-ray Movie, Special Features and Extras  2.0 of 5

  • True Love: Making The Creator (HD; 55:47) is a really interesting featurette which gets into the "road trip" Edwards and his crew took to scout locations, filming as they went. There's also some discussion of the blending of genres The Creator's creators hoped to create.
Disney sent their 4K UHD package for purposes of this review, but it looks like this standalone 1080 release offers a digital copy and a slipcover.


The Creator Blu-ray Movie, Overall Score and Recommendation  3.5 of 5

Years ago on a rather long plane trip I was watching Conan O'Brien's old show on the in flight television and he did one of his "News from the Future" bits where he held a flashlight under his chin, campfire story style, and relayed various "prognostications". One was so funny, I literally burst out in incredibly loud laughter that startled everyone around me. That O'Brien comment was, "In the future, robots will replace humans in dull, repetitive tasks like washing dishes and marrying J. Lo". So I guess in the long run, A.I. isn't such a bad thing, right? Tongues in cheek notwithstanding, as my colleague Brian Orndorf mentioned in his review of the film, Edwards probably never quite "gets there" with this effort, and for me personally there were simply too many questions left unanswered to make the story really congeal. That said, I was frequently gobsmacked by the visuals, and the interplay between the quasi-father and daughter in this film gives it some unexpected heart. Technical merits are first rate, and with caveats noted, The Creator comes Recommended.


Other editions

The Creator: Other Editions