6.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
1959 - A car pulls up in front of the St. Francis Boarding School for Girls and out steps Christine: young and pretty... and carrying a sawed off shotgun. She coolly marches into the chapel where the nuns are in deep prayer, blows them away one by one then douses the room with gasoline. With the flick of her cigarette, the room is engulfed. 40 years later the school has been shut down and the building condemned - perfect for local fraternity antics. But when a group of students break into the cursed basilica, none of them are prepared for the horror that awaits them in the convent!
Starring: Joanna Canton, Richard Trapp, Renee Graham, Megahn Perry, Chaton AndersonHorror | 100% |
Comedy | Insignificant |
Fantasy | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.5 | |
Overall | 4.5 |
Director Mike Mendez made his filmmaking debut with 1996’s “Killers,” aiming to cash in on the world of tabloid crime and the success of “Natural Born Killers” with an offering of tremendous violence. He drowned the endeavor in visual overkill and lousy performances, but his love for genre entertainment remained unsullied, returning to worlds of horror and comedy with 2000’s “The Convent” (there was a 1997 compilation picture, “Bimbo Movie Bash,” but I doubt Mendez wants to discuss that one). A blend of slapstick and 1985’s “Demons,” “The Convent” tries very hard to be big fun with gory events, and screenwriter Chaton Anderson is gunning to make something approachable with the broadest of broad characters and general goofiness when the story isn’t focused on the destruction of humans and monsters. Mendez plays into visual trends of the day, striving to create nightmare visuals for a feature that’s not committed to being scary.
Screencaps are taken from the Blu-ray.
"The Convent" comes to UHD, listed as a "4K remaster of the uncut version supervised and approved by director Mike Mendez." The Dolby Vision
viewing experience offers sharp detail throughout, exploring skin particulars on humans and demons, offering a textured exploration of makeup
achievements. Locations are also open for examination, with the decaying views of the convent intact, and costuming is fibrous with period style.
Exteriors are rare but deep. Colors are precise, working with the blacklight world of "The Convent," with such extremity in demonic engagement
secured. Primaries are crisp, including blood reds and blue lighting, and fashion choices deliver varied hues. Blacks are deep, handling shadow play and
gothic displays. Highlights are tasteful. Grain is fine and film-like. Source is in excellent condition.
The 5.1 DTS-HD MA mix offers a clear understanding of dialogue exchanges. Performances are defined and intensity is balanced. Scoring offers satisfactory support, working with a more active synth sound at times, including furious detours into dance music when violence arrives. Surrounds feel out musical moods, creating some immersive moments. Atmospherics are active with demonic happenings and convent exploration. Low-end provides acceptable weight with violent events and explosions.
Jokes are lame and performances are cranked all the way up, making highlights in "The Convent" difficult to come by. Barbeau adds some much needed attitude to the feature, but she's only around for the last act, unable to save the viewing experience. The rest of "The Convent" is stuck with a weird tonality that defangs moments of horror in the quest to be wacky, and while the blood does flow in the picture, Mendez and Anderson don't take the hint, avoiding a more intense study of rampaging evil.
(Still not reliable for this title)
Slipcover in Original Pressing
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