6.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Sent by his Coca-Cola bosses to do market research in Australia's outback, a young executive finds himself butting heads with a local soda magnate. Before long, however, the American expatriate succumbs to the charms of both the outback attitude and a local beauty.
Starring: Eric Roberts, Greta Scacchi, Bill Kerr, Chris Haywood, Paul ChubbDrama | Insignificant |
Comedy | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.5 | |
Overall | 4.5 |
After making a name for himself with artier endeavors in the 1960s and ‘70s, director Dusan Makavejev aimed to establish a career for himself in the 1980s, settling down with slightly more accessible fare, including the 1981 dark comedy, “Montenegro.” 1985’s “The Coca-Cola Kid” was the second of Makavejev’s offerings in the decade, presenting the helmer with more defined steps toward a mainstream hit, dealing with known actors and the exotic, idiosyncratic ways of Australia, which provides the picture with a special energy during a time of growing trendiness. “The Coca-Cola Kid” is based on short stories written by Frank Moorehouse (who also provides the screenplay), and the picture retains such narrative limitations, putting Makavejev in charge of conjuring a sense of playfulness for the movie while it struggles with a general disinterest in storytelling authority. Amusing interactions and a pleasing sense of location is in play here, keeping the effort buoyant enough to pass, and Makavejev retains much of his visual and tonal impishness, trying to twist the feature into something odd when the plot threatens to keep the whole thing a conventional fish-out-of-water study, with slight romantic comedy additions.
The AVC encoded image (1.85:1 aspect ratio) presentation for "The Coca-Cola Kid" is listed as a "2K restoration from its 35mm interpositive." Fun City Editions handles the feature's "worldwide Blu-ray premiere," and they provide a marvelously fresh viewing experience for the endeavor, which utilizes a bright palette, offering big hues on soda signage (Coca-Cola red really pops here) and Australian tours, which provide deep greenery and blue waters. Primaries are distinct, especially on clothing, and skintones are natural. Detail does well here, capturing skin particulars and elements of age. Urban and rural tours retain texture and dimension. Delineation is satisfactory. Grain is heavy but remains film-like. Source is in excellent condition.
The 2.0 LPCM mix delivers an engaging listening experience, offering reasonably clear dialogue exchanges, which often battle with background noise in industrial settings. Performances remain appreciable. Scoring cues are sharp, with a wide presence and distinct instrumentation. Soundtrack selections are equally crisp. Atmospherics are compelling.
"The Coca-Cola Kid" isn't particularly amusing, but Makavejev's energy keeps it on the move, following Becker into the wild, into bed with Terri, and into a recording studio to oversee the creation of a fresh Australian jingle. The feature is active, and Roberts pushes hard to remain the center of attention, facing stiff competition from accomplished supporting performances and a playful Scacchi, who's rarely this loose on-screen. "The Coca-Cola Kid" isn't consistent, with the ending trying to provide an emotional payoff for a psychological journey that never materializes, but it remains an involving study of business eccentricities and filmmaking messiness from Makavejev.
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