7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
The estranged children of a once-famous artist hire a forger to complete his unfinished works so they can be discovered and sold after his death.
Starring: Ian McKellen, James Corden, Jessica Gunning, Michaela Coel, Ferdy Roberts| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 7.1
English: Dolby TrueHD 5.1
English: Dolby Atmos
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.5 | |
| Audio | 5.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Ed Solomon has been a screenwriter for over 35 years, and while he probably doesn’t want it printed on his headstone, he’s arguably best known as the co-writer of three “Bill and Ted” movies, along with work on “Men in Black.” Solomon also collaborated with director Steven Soderbergh on 2021’s “No Sudden Move,” and they reteam for “The Christophers,” which is as small and low stakes as a picture can get. It’s a character study concerning artists connecting and schemes hatched, but Solomon keeps the film about emotional turmoil while also remaining darkly comedic at times. “The Christophers” has moments when it feels like it’s ready to take off and become a more physical endeavor, but the writing remains curious about personality, staying conversational while Soderbergh sets a cooler mood for the feature, letting lead performances from Ian McKellen and Michaela Coel lead the way.


The image presentation for "The Christophers" works with director Steven Soderbergh's unique look for the feature, electing to shoot the picture with a softer, blurrier border around the frame, while the center remains sharp. Detail is found throughout the viewing experience, doing well with skin particulars on the cast, exploring age differences. And art world additions are appealingly textured. Most of the movie takes place inside of Julian's living space, which is open for examination, maintaining dimension. Exteriors are limited but run deep. Color is crisp, with alert hues on art displays. Costuming also manages decent primaries, and a cooler sense of street life is preserved. Skin tones are natural. Delineation is satisfactory. Mild banding is briefly encountered, along with patches of blockiness.

The 7.1 Dolby TrueHD mix seems like a touch of overkill for a movie that's only about conversations between characters. There's not much aural intensity to embrace here, but clarity is excellent, finding dialogue exchanges defined. Music is alive and full, with clear instrumentation and position around the soundstage, providing subtle movement and emphasis. Atmospherics are appreciable, exploring city life and group gatherings. Low-end isn't challenged, but lighter beats with musical moods are understood.


"The Christophers" offers a tour of Julian's insecurities, eventually reaching Lori's issues as well. It's a reasonably involving look at two characters figuring each other out, with art world additions present in the plotting, but not elevated to any importance. Solomon offers a complete story, but he's mostly interested in following Julian and Lori as they define their relationship and history, getting to the heart of artistic inspiration and expression in the process. "The Christophers" could use a bit more oomph at times, but the production is elegantly handled by Soderbergh, and a chance to watch McKellen and Coel manage their parts with depth and grace is worth the time invested.
(Still not reliable for this title)

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