6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Chuck Scott gets a job as chauffeur to tough guy Eddie Roman; but Chuck's involvement with Eddie's fearful wife becomes a nightmare.
Starring: Robert Cummings, Michèle Morgan, Steve Cochran (I), Lloyd Corrigan, Jack HoltFilm-Noir | 100% |
Crime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.41:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.0 |
Arthur Ripley's "The Chase" (1946) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include archival audio commentary by Canadian filmmaker Guy Maddin and two vintage radio adaptations. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
I'll give you a thousand dollars to get me to Havana.
Presented in an aspect ratio of 1.41:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Chase arrives on Blu-ray courtesy of Kino Lorber.
In 2012, UCLA Film & Television Archive, with support from The Film Foundation, restored The Chase. In 2015, Kino Lorber introduced the restoration on the home video market with this Blu-ray release. The label's new special edition of The Chase reintroduces the same restoration. However, there are some discrepancies in its technical presentation.
The new presentation has slightly different gamma levels. However, I do not think that this is a meaningful improvement because the restoration has many uneven areas and the difference is indeed very small. (Your player, if a high-end model, should make adjustments on the fly as well). The presentation is better encoded, too, which is an upgrade that could be appreciated by viewers with large screens. On my system, I could see footage from select darker areas looking marginally better. On the other hand, the restoration does not address many rough spots and surface imperfections, so there is plenty of material that can benefit from manual repair and automatic cosmetic work. This material can frequently make it difficult to appreciate the improvements from the superior encoding. Delineation, clarity, and depth are pleasing, routinely even very good, but you should expect to see many fluctuations. The grayscale is convincing. However, it also reveals some minor yet noticeable inconsistencies. All in all, The Chase has an attractive organic appearance on this release, which is the best I have seen, but in an ideal world it will look healthier. My score is 3.75/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature. (The original Blu-ray release of The Chase did not offer optional subtitles).
Unlike the video, the audio does not reveal age-related related inconsistencies and serious anomalies. I had the volume of my system turned up quite a bit and did not notice anything that may negatively affect your viewing experience. I did not even notice light background hiss, which sometimes sneaks in on older films like The Chase. Dynamic intensity is good, too. The train crash and several other action sequences sound great. A good soundtrack produces fine contrasts as well.
Michele Morgan plays the young girl who melts Jean Gabin's heart in one of my all-time favorite films, Port of Shadows, which channels a lot of the same fatalism that flourishes in The Chase. Morgan is impossibly beautiful and in a doomed romantic relationship in The Chase, too. However, while similarly effective, these films are quite different because they bend their genre identities in unique ways. Kino Lorber's special edition offers a new technical presentation of UCLA Film & Television Archive's 2012 restoration of The Chase, which is not perfect but remains the best available for this terrific film. HIGHLY RECOMMENDED.
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