6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Chuck Scott gets a job as chauffeur to tough guy Eddie Roman; but Chuck's involvement with Eddie's fearful wife becomes a nightmare.
Starring: Robert Cummings, Michèle Morgan, Steve Cochran (I), Lloyd Corrigan, Jack HoltFilm-Noir | 100% |
Crime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.41:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono (48kHz, 16-bit)
BDInfo & PowerDVD corrected = LPCM
None
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 3.5 |
“The Chase” commences like most film noirs, setting up a dangerous game between shadowy men, with the charms of a woman wreaking havoc with several lives. The 1946 picture has passable style and an interest in storytelling peculiarity, adapting Cornell Woolrich’s challenging novel for the screen. Director Arthur Ripley has ideas for “The Chase,” but little interest in cranking up the cheap thrills of this frequently absurd thriller.
The AVC encoded image (1.41:1 aspect ratio) presentation is the end result of a restoration from The UCLA Film and Television Archives, who worked with 35mm elements to bring "The Chase" to Blu-ray. This isn't a tidy refreshing, with numerous sources retaining their slightly battered appearance, showcasing slight judder, scratches, minor chemical burns, and assorted dips in visual quality. Those willing to get past these limitations are rewarded with a pleasing display of detail, finding clarity encouraging if a bit erratic when facing age and focal limitations. Delineation is satisfactory, but only goes as far as source quality allows.
The 2.0 DTS-HD MA audio mix is perhaps the best "The Chase" is ever going to sound, providing decently defined dialogue exchanges, finding dramatic escalation and hushed desires easily understood. Music also handles well, creating intended moods without ideal crispness. Hiss and pops are detected during the listening experience.
"The Chase" has significant pacing problems, and a few ideas, including Roman's special car, which gives the gangster control over acceleration from the back seat, are too weird to simply blend into the fabric of the film. Performances are terrific (Cochran is honestly frightening), but acting only ends up a small portion of the feature, which soon devotes its full attention to a storytelling "rewind" that isn't compelling. "The Chase" is best reserved for those who enjoy putting cinematic puzzles together, though even that forgiving crowd might be frustrated with the movie's missing pieces and deliberate avoidance of explanation.
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1945
Warner Archive Collection
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1948
1948
Hot Spot
1941
1946
1950
1951
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Arrow Academy
1946
1956
Fox Studio Classics / Alternate UPC
1950
1942
Special Edition
1953
1958
1957