6.6 | / 10 |
| Users | 4.5 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
An FBI agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.
Starring: Jennifer Lopez, Colton James, Dylan Baker, Marianne Jean-Baptiste, Gerry Becker| Horror | Uncertain |
| Thriller | Uncertain |
| Psychological thriller | Uncertain |
| Sci-Fi | Uncertain |
| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1, 1.78:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Even when he's playing an ostensible good guy, as in his long running stint as Detective Bobby Goren on Law & Order: Criminal Intent, Vincent D'Onofrio can be on the "quirky" side. And when he sinks his teeth into the sort of villainous character that Bobby Goren might have profiled on that Dick Wolf series, D'Onofrio can be one of the most viscerally disturbing screen presences of his general era. That proclivity is probably nowhere more (sorry for any Law and Order pun) in evidence than in D'Onofrio's absolutely chilling Portrait of a Serial Killer (so to speak) in The Cell, an extremely troubled man named Carl Rudolph Stargher. If D'Onofrio inarguably gives The Cell the bulk of its completely unsettling ambience, as director Tarsem Singh (The Fall) kind of hilariously jokes in a long form interview included as a supplement, if you can buy Jennifer Lopez as a psychiatrist, then does he have a film for you, D'Onofrio's presence notwithstanding.


The Cell is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.39:1. Arrow provides the same insert booklet for both its 4K UHD and 1080 releases of the film, with the following information about the presentation:
The Cell has been restored by Arrow FIlms and is presented in its original aspect ratio of 2.39:1 with 5.1 and stereo audio. Both the Theatrical and Director's Cut versions are presented in 4K resolution in HDR and Dolby Vision.Michael didn't have much to complain about with regard to Warner Brothers' own 1080 release from years ago, but I'd argue this new presentation of both versions (something the disc Michael reviewed didn't offer) has better contrast and overall suffusion, though the changes may admittedly be subtle. The difference is probably most noticeable in some of the "inner" material, where so much processing has been done to the image (I highly recommend the absolutely fascinating essay in the insert booklet about the efforts and techniques undertaken to get the very distinctive look of the "Mindscape" material. The palette is gorgeously suffused in these special effects moments, and detail levels are also surprisingly secure given the bells and whistles employed. I was somewhat less thrilled about the kind of brown look early in the film, though I'd probably argue that the kind of cool, almost sepia toned, look of some of this presentation is even more exaggerated in Arrow's 4K UHD presentation. Grain is generally very tightly resolved, something that's probably even more impressive given some of the techniques in the "interior" material in particular, where colors are so bold and contrast is pushed so strongly.
The original 35mm camera negative was scanned in 4K / 16 bit resolution at Warner Bros. Motion Picture Imaging. Additional film elements containing the sections unique to the Director's Cut Version were also scanned. The film was restored in 4K resolution and color graded at Duplitech.
The new restored master of The Cell has been approved by Director Tarsem Singh and Director of Photography Paul Laufer.
All material sourced for this new mater were made available by Warner Bros.
QC review was completed by Pixelogic.

The Cell features an impressively immersive DTS-HD Master Audio 5.1 track. The "interior" scenes may have some of the showiest surround activity, as voices dart to and fro and ominous echoes pervade the "mental space", but there is regular and quite incisive engagement of the side and rear channels throughout any number of "external" moments, including predictable vignettes like the rush toward the end of the film as a helicopter searches for the location of Carl's cell. But even some of the relatively calm hubbub in the police station or even in the facility where Catherine works can clearly place ambient environmental effects in the surround channels. The "combo platter" score (see Michael's 1080 review for a bit more information) also careens through the surround channels with some surprisingly enveloping energy. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Disc One
- Critic Commentary is new to this release and features Alexandra Heller-Nicholas and Josh Nelson.
- Screenwriter Commentary is new to this release and features Mark Protosevich with film critic Kay Lynch.
- Director Commentary is an archival piece with Tarsem Singh.
- Production Team Commentary is also archival and features director of photography Paul Laufer, production designer Tom Loden, makeup supervisor Michele Burke, costume designer April Napier, visual effects supervisor Kevin Tod Haug and Composer Howard Shore.
- Trapped in the Cell (HD*; 1:00)
- Despair in the Cell (HD*; 00:39)
- Extended Raid (HD*; 3:26)
- Early Exit (HD*; 1:52)
- Novak and Ramsey (HD*; 1:29)
- Stargher's Room (HD*; 3;20)
- Extended Confrontation with Carl (HD*; 4:14)
- Extended Carl with Victim (HD*; 3:32)
- The Hoist (HD*; 9:44)
- First Entry (HD*; 17:01)
- Second Entry (HD*; 18:48)
- Novak's Entry (HD*; 11:26)
- Catherine's World (HD*; 9:57)
- Edward's World (HD*; 1:58)
- US Trailer (HD; 2:25)
- International Trailer (HD; 1:24)

It's kind of funny to hear Alexandra Heller-Nicholas and Josh Nelson joke about how The Cell was one of the first discs they purchased for their home collections back in the day, because I still remember buying my copy of the film and being gobsmacked by the visuals, as well as completely unsettled by some of the "damsel in distress" content, which I still find almost unbearable to watch. With that in mind, for anyone who hasn't yet seen The Cell, it's probably best to steel the nerves as forcefully as possible. This release offers secure technical merits and while this may sound like heresy for 4K UHD aficionados, I think I personally actually preferred the look of the grade on this 1080 presentation, though I'm sure others will probably prefer the 4K UHD presentations. One way or the other, along with a nice array of outstanding supplements, The Cell in 1080 comes Highly recommended.

2-Disc Special Edition
1980

2024

2005

1991

2001

2011

Collector's Edition
1992

Collector's Edition
1983

2014

2014

2007

Uncut
2019

1972

2009

2006

2007

Limited Edition | La sindrome di Stendhal
1996

2013

2009

2016