6.6 | / 10 |
| Users | 3.2 | |
| Reviewer | 4.5 | |
| Overall | 3.6 |
An FBI agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.
Starring: Jennifer Lopez, Colton James, Dylan Baker, Marianne Jean-Baptiste, Gerry Becker| Horror | Uncertain |
| Thriller | Uncertain |
| Psychological thriller | Uncertain |
| Sci-Fi | Uncertain |
| Crime | Uncertain |
| Drama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A, B (locked)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Even when he's playing an ostensible good guy, as in his long running stint as Detective Bobby Goren on Law & Order: Criminal Intent, Vincent D'Onofrio can be on the "quirky" side. And when he sinks his teeth into the sort of villainous character that Bobby Goren might have profiled on that Dick Wolf series, D'Onofrio can be one of the most viscerally disturbing screen presences of his general era. That proclivity is probably nowhere more (sorry for any Law and Order pun) in evidence than in D'Onofrio's absolutely chilling Portrait of a Serial Killer (so to speak) in The Cell, an extremely troubled man named Carl Rudolph Stargher. If D'Onofrio inarguably gives The Cell the bulk of its completely unsettling ambience, as director Tarsem Singh (The Fall) kind of hilariously jokes in a long form interview included as a supplement, if you can buy Jennifer Lopez as a psychiatrist, then does he have a film for you, D'Onofrio's presence notwithstanding.


Note: While this is a standalone 4K release without a 1080 presentation of the main feature in its original grading, I am offering
screenshots from Arrow's standalone 1080 release as I think it actually provides a better representation of the look of the palette in particular, rather
than offering screenshots from the 4K disc which are by necessity downscaled to 1080 and in SDR. This is a somewhat unusual release from Arrow
in terms of how I decided to offer a 2K score, above. Typically when a 4K release has a 2K disc, we score the 2K video the same way we do in any
standalone 1080 offering, and when an additional 2K disc only has supplements, or in fact no 2K disc at all, we leave the 2K score above blank. This
is kind of sui generis in that the second disc 1080 disc offers an alternate grading, so while the main feature in its original grading isn't
provided in that resolution, I have included a 2K score this time for the presentation of the feature on that disc.
The Cell is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 2.39:1. Arrow provides the
same
insert booklet for both its 4K UHD and 1080 releases of the film, with the following information about the presentation:
The Cell has been restored by Arrow FIlms and is presented in its original aspect ratio of 2.39:1 with 5.1 and stereo audio. Both the Theatrical and Director's Cut versions are presented in 4K resolution in HDR and Dolby Vision.As I mention in our The Cell Blu-ray review of Arrow's great looking 1080 release, Michael didn't have much to complain about with regard to Warner Brothers' own 1080 release from years ago, though I personally found Arrow's 1080 version to improve on at least some aspects of Warner's older version. The 4K UHD presentation is interesting and often quite striking, but I was frankly a little surprised at how cool and even brown the first half hour or so of the film looks in this version. Things definitely warm up and suffusion is more vibrant as things progress, though some interstitial material, including Carl's bathtub scene and some of the police station procedural material, can still look a bit dowdy in terms of palette nuance. Once the, um, Inside Out sections begin, though, this 4K version really starts to show off some of what HDR / Dolby Vision can add to things. Singh's revolutionary design, initial filming and later post production tweaking (covered in amazing detail in the insert booklet) is absolutely resplendent in this 4K UHD version, as disturbing as some of the actual imagery may inarguably be. I was surprised in a good way at how generally tightly the grain field resolves, something that's probably even more impressive given the techniques Singh, Laufer and the team utilized to get the "look" of the interior worlds. Perhaps countering some of what has been written about the look of these scenes in particular, Laufer is on hand throughout the insert booklet information and explicitly states that the colors and contrast he wanted could not be produced either in camera or through any then current laboratory processing technique. More information in the insert booklet about the approach taken to get this very distinctive material looking like it does should be of considerable interest to any fans of the film.
The original 35mm camera negative was scanned in 4K / 16 bit resolution at Warner Bros. Motion Picture Imaging. Additional film elements containing the sections unique to the Director's Cut Version were also scanned. The film was restored in 4K resolution and color graded at Duplitech.
The new restored master of The Cell has been approved by Director Tarsem Singh and Director of Photography Paul Laufer.
All material sourced for this new mater were made available by Warner Bros.
QC review was completed by Pixelogic.

The Cell features an impressively immersive DTS-HD Master Audio 5.1 track. The "interior" scenes may have some of the showiest surround activity, as voices dart to and fro and ominous echoes pervade the "mental space", but there is regular and quite incisive engagement of the side and rear channels throughout any number of "external" moments, including predictable vignettes like the rush toward the end of the film as a helicopter searches for the location of Carl's cell. But even some of the relatively calm hubbub in the police station or even in the facility where Catherine works can clearly place ambient environmental effects in the surround channels. The "combo platter" score (see Michael's 1080 review for a bit more information) also careens through the surround channels with some surprisingly enveloping energy. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Disc One (4K UHD)
- Critic Commentary is new to this release and features Alexandra Heller-Nicholas and Josh Nelson.
- Screenwriter Commentary is new to this release and features Mark Protosevich with film critic Kay Lynch.
- Director Commentary is an archival piece with Tarsem Singh.
- Production Team Commentary is also archival and features director of photography Paul Laufer, production designer Tom Loden, makeup supervisor Michele Burke, costume designer April Napier, visual effects supervisor Kevin Tod Haug and Composer Howard Shore.
- Trapped in the Cell (HD*; 1:00)
- Despair in the Cell (HD*; 00:39)
- Extended Raid (HD*; 3:26)
- Early Exit (HD*; 1:52)
- Novak and Ramsey (HD*; 1:29)
- Stargher's Room (HD*; 3;20)
- Extended Confrontation with Carl (HD*; 4:14)
- Extended Carl with Victim (HD*; 3:32)
- The Hoist (HD*; 9:44)
- First Entry (HD*; 17:01)
- Second Entry (HD*; 18:48)
- Novak's Entry (HD*; 11:26)
- Catherine's World (HD*; 9:57)
- Edward's World (HD*; 1:58)
- US Trailer (HD; 2:25)
- International Trailer (HD; 1:24)

It's kind of funny to hear Alexandra Heller-Nicholas and Josh Nelson joke about how The Cell was one of the first discs they purchased for their home collections back in the day, because I still remember buying my copy of the film and being gobsmacked by the visuals, as well as completely unsettled by some of the "damsel in distress" content, which I still find almost unbearable to watch. With that in mind, for anyone who hasn't yet seen The Cell, it's probably best to steel the nerves as forcefully as possible. This release offers secure technical merits and outstanding supplements. Highly recommended.

2-Disc Special Edition
1980

2024

2005

1991

2001

2011

Collector's Edition
1992

Collector's Edition
1983

2014

2014

2007

Uncut
2019

1972

2009

2006

2007

Limited Edition | La sindrome di Stendhal
1996

2013

2009

2016