7.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
When an eccentric family meets in their uncle's remote, decaying mansion on the tenth anniversary of his death for the reading of his will, murder and madness follow.
Starring: Bob Hope, Paulette Goddard, John Beal (I), Douglass Montgomery, Gale SondergaardHorror | 100% |
Comedy | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.36:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B, A (C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.5 |
Note: This film is available as part of The Bob
Hope Collection.
Bob Hope became such a monolith over the course of his later life that it may be hard to remember at one point he was just another “player”, albeit a
promising one, at Paramount. In that regard, as with many other nascent stars at both Paramount and a number of other major studios during
Hollywood’s so-called “Golden Era”, it can be kind of fun seeing the marketing and other behind the scenes mavens at the studio trying to develop a
persona for Hope that would click with the
public. Hope’s feature films from the first couple of years of his career tended to be lightweight musicals and/or comedies, but Hope was also featured
in two films that helped establish his wisecracking milquetoast characterizations and which also helped to develop the horror-comedy hybrid that was
also utilized effectively by Abbott and Costello in such films as Hold
That Ghost (which notably debuted after both of these features, which would suggest that the Hope outings attracted the attention of bean
counters in studios other than Paramount).
The Cat and the Canary is presented on Blu-ray courtesy of Imprint, ViaVision and Universal Films with an AVC encoded 1080p transfer in 1.36:1. My hunch is this was culled from the same master as the Kino Lorber Blu-ray release for the North American market, though I'm not quite as generous in my score as Neil was for that release. This is often a rather striking presentation, though, one with consistent contrast (especially when compared to this set's "stable mate", The Ghost Breakers) and some surprisingly good shadow definition in the many shrouded shots in and around the Norman mansion. There is quite a bit of age related wear and tear on display, though, including some noticeable scratches and other blemishes (several are clearly visible in screenshots 2, 7, 15 and 17). Grain is organic looking and doesn't encounter any major compression issues despite the misty bayou environment. My score is 3.75.
The Cat and the Canary features a nice sounding LPCM 2.0 Mono track that is obviously the product of its time, but which still retains decent "oomph", especially since this feature is so reliant on dialogue, with only a few sound effects entering the fray from time to time. While fairly boxy sounding almost all of the time, fidelity delivers all spoken material perfectly well, and if a few passing effects like the "gong of death" don't reverberate overly strongly, they don't exhibit any major signs of distortion or other damage. Optional English subtitles are available.
The Cat and the Canary might have used just a bit more development to deliver a total knockout, but as it is, it's fun and funny, and it has some genuinely angsty moments along the way. Bob Hope is front and center here, but there's a lot of stuff going on around him, so his role in this film is really more of a cog in an ensemble wheel rather than a starring characterization. Technical merits are generally solid, and the commentary track is very enjoyable. Recommended.
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