7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Jean-Arthur has been working as a clerk in a travel agency. One day, he, along with his colleague comes to a brilliant idea: what if I offer tourists real extreme recreation? So the group of tourists land on a deserted island with no food, no shelter, nothing.
Starring: Pierre Richard, Jacques Villeret, Maurice Risch| Foreign | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 0.0 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of Time to Play: Films by Jacques Rozier from Radiance Films.
Blu-ray sets offering the complete filmographies of any given creator can tend to be pretty huge, even overwhelming, affairs, like Ingmar Bergman's Cinema and/or The Complete Films of Agnès Varda.
That Varda set may be particularly a propos when discussing this (much smaller) set, since both Varda and Jacques Rozier were
both prominent members of the French New Wave, even if neither arguably rose to the global fame heights of, say, Jean-Luc Godard or François
Truffaut. If Varda either fairly or unfairly got some reflected glow from her long marriage to Jacques Demy, one way or the other even she, as
arguably
underappreciated as she's been, was probably better known internationally than Rozier, who has continued to kind of be the "bastard stepchild" of
the
movement, consigned by fate and (sorry) critical assessments to what is perceived as a lower echelon, even if that perception is manifestly
undeserved. Rozier is a fascinating figure one way or the other, as his approach toward Nouvelle Vague was decidedly different than his
contemporaries (notably Varda, in fact), and despite a decades long career, he only ended up making five feature films, all of which Radiance has
aggregated for this new collection.


The Castaways of Turtle Island is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.66:1. Radiance sent check discs for purposes of this review and so I'm not privy to any information on the transfer included in an insert booklet, but a prefatory text card before the main presentations states that this was "restored in 4K from the original image and sound negatives in 2019 by Hiventy". This offers a very healthy looking palette throughout and some really appealing detail levels on everything from fabrics on outfits to, later, the lush environments encountered by the "tourists" on the island. There are some incredibly evocative lighting choices in several early bedroom scenes. The island material is probably the standout for a variety of reasons though, and if a few passing nighttime shots don't offer a wealth of detail, all of the daytime material pops wonderfully and features commendable detail levels. Grain resolves naturally throughout.

The Castaways of Turtle Island features an LPCM Mono track in the original French, though somewhat as with Adieu Philippine, it may be the film's score which attracts instantaneous attention. Those with long memories may recall my now quite ancient Fitzcarraldo Blu-ray review where I mentioned how seeing that film after such a long time kind of shockingly reminded me that Brasilian superstar Milton Nascimento showed up there in an unexpected role. Something somewhat similar is on hand here, with a fun cameo by the equally iconic Nana Vasconcelos, who also contributed the music. The island setting provides near constant background ambient environmental effects, though they can be subtle at times. Dialogue is presented cleanly and clearly. Optional English subtitles are available.


The Castaways of Turtle Island is ironically one of the more seemingly "scripted" entries in Rozier's filmography, but it's also one of the most haphazard and slapdash in a way. It's still frequently charming if it also tends to try too hard at times. Technical merits are solid and the interview with Villeret interesting. Recommended.