| Users | 5.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
This Blu-ray collection includes all the films Keaton made during the prime of his career—authorized by the Keaton Estate, mastered in HD, and supplemented with a trove of bonus features.
| Drama | 100% |
| Romance | 51% |
| Short | 35% |
| Western | 19% |
| War | 11% |
| Comedy | 10% |
| Family | Insignificant |
| Adventure | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM 2.0
None
50GB Blu-ray Disc
Fourteen-disc set (14 BDs)
Region free
| Movie | 4.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.5 | |
| Overall | 5.0 |
There's some irony here; Buster Keaton, the man who seldom smiled onscreen, has kept his audiences grinning—from the
opening intertitles to "The End"—for over ninety years now. In the early 1920s, he earned the sobriquet "The Great Stone
Face," carving out a comic niche with a deadpan, blasted-from-granite demeanor that made Charlie Chaplin look like a weepy
sap in comparison. His most typical onscreen persona—an effete, book-educated but street-dumb young man of privilege—
has given him a reputation as the thinking man's pratfaller, the intellect's vaudevillian, but his films are as warm as they are
clever, both deeply human and incredibly funny.
Though the latter part of his career was marred by alcoholism and a lack of creative control, few actor/directors can claim the
kind of winning streak Keaton had throughout the 1920s, when he produced a series of shorts and features that—if not
exactly blockbusters in their own time—are now regarded as amongst the greatest comedies ever made. Over the past three
years, distributor Kino-Lorber has released nearly all of Keaton's output from this period on Blu-ray—the only major
omission is 1928's The Cameraman, Buster's first under contract with MGM—and they've gathered them all together
in one massive 14-disc box set, including College, which is exclusive here until March 2013. If you're a Keaton fan
and you've somehow avoiding buying the individual releases up to now, you'll want to snap up this collection immediately.
And if you're new to silent cinema but willing to give it a go, you couldn't do any better than to begin with Keaton. Read on for
a run-down of everything that's included in the set, with links to comprehensive reviews of each title.

Screenshots from "College," exclusive to this set until March 2013.

Feel free to check out the links above for comprehensive picture quality reviews of each title, but you'll quickly find them redundant. Kino has done a uniformly excellent job bringing these films to Blu-ray, where they look drastically better than they ever have before on home video. Yes, the films are by and large presented "as is," so you will notice some age-related print damage—specks, vertical scratches, slight contrast/bright fluctuations—but for films that are pushing 90 years old or more, the damage is negligible. What you will notice is the newfound clarity, with fine details and textures that could've never been resolved on DVD. Just as importantly, Kino has steered away from harsh digital manipulations like noise reduction and edge enhancement, leaving the picture wonderfully, naturally filmic. These films are simply a joy to watch in high definition.

Once again, you can check out the individual titles for audio quality overviews, but that will probably be unnecessary. Using a mix of older and newly commissioned scores—presented in lossless or uncompressed codecs—Kino has kept the musical accompaniment complementary and unobtrusive and appropriately old-timey. No complaints here.

There are no special features exclusive to the box set, but most of the discs are modestly stocked with supplementary material,
from audio commentaries and outtakes, to video essays, bonus shorts, and more. See the individual titles for details.
As for the packaging, the collection is a sturdy set, with the 14-discs divvied up between four standard multi-disc jewel cases,
held together in a cardboard slipcase. It's nothing fancy, but it looks dandy on a shelf.

One of the most iconic American entertainers of all time, Buster Keaton was a genius of physical comedy, a pratfalling vaudevillian whose stoic onscreen persona set him apart from the more hammy comics of his day. Kino-Lorber's massive 14- disc set is a near-definitive record of the most lauded stretch of Keaton's career, from his innovative early shorts to the twin triumphs of The General and Steamboat Bill, Jr. The collection ends on a low note, with a series of so-so shorts Buster did for B-movie studio Educational Pictures—when he was on the outs from Hollywood—but everything else is silent cinema gold, endlessly watchable and gorgeously presented in high definition. If you've been buying the individual releases as they've come out, I see no real reason to sell/trade them for the box set—unless you're desperate to save some shelf space—but those who've held out until now should snap up this set immediately. Highly recommended!