7.1 | / 10 |
Users | 4.8 | |
Reviewer | 3.5 | |
Overall | 3.9 |
A prank gone bad leaves a mean camp janitor named Cropsey horribly burnt and several years later he returns to exact vengeance.
Starring: Brian Matthews (I), Leah Ayres, Brian Backer, Larry Joshua, Jason AlexanderHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.5 |
The internet is a remarkable device that has provided unparalleled connectivity. Case in point: I received copies of some original charts by the late “easy listening” maestro Percy Faith a few months ago (Faith's arrangements are one of my unashamed not so guilty pleasures), including a fantastic quasi-Baroque jazz-rock number of his called We Were Havin’ Some Fun at the Conservatory, When. . .. I was interested to see a huge handwritten note across the conductor’s score addressed to the keyboard player, telling him he needed to be tracking three staves simultaneously, two for harpsichord and one for grand piano. The note was addressed to “Rick”, and it suddenly occurred to me that perhaps Rick Wakeman had played keys on this track, which has a certain Wakemanesque flavor to begin with. A little cursory research got me to Rick’s website and I submitted a query with a link to Faith’s tune. Lo and behold just a few hours later I received an email from Rick Wakeman himself, actually thanking me for contacting him and for providing him a link to the tune. He agreed that it sounded like him, but he had no clear recollection of having played the date, which, while not conclusive, seems to indicate there was some other keyboardist named Rick doing session work in Los Angeles in the early seventies and who was able to forge a souped up Baroque sound in a jazz-rock context. A little less than a decade after the Faith tune was done (with or without Wakeman), Wakeman contributed a perhaps anachronistic sounding score to one of the many films to appear in the so-called “slasher craze” of the late seventies and early eighties. Interestingly, this was one of the first films to be released under the Miramax banner and Harvey Weinstein himself is created as one of the story writers (another Weinstein brother, Bob, co-wrote the actual screenplay). The Burning plies several well worn horror tropes, not the least of which is a demented madman running around a bucolic summer camp, but it remains one of the most truly frightening films of its era, one that is especially gruesome in this unrated cut (emphasis on the word cut).
Note: It's site policy not to post overly graphic or gruesome screenshots, but I knew some would want at least one
screenshot of
Cropsy. I've placed a softer looking shot of him after the shot of the main menu for those who want to look.
The Burning is presented on Blu-ray courtesy of Shout! Factory's imprint Scream Factory with an AVC encoded 1080p
transfer in 1.85:1. The elements here are in very good shape, with only a couple of very minor blemishes and a scratch or
two that turn up. This was never a fantastic looking film to begin with, and so the biggest upgrade here is in the much
better saturated color, While close-ups are reasonably sharp looking, the film's many midrange and wide shots still have a
pretty soft and fuzzy quality. Contrast is quite strong, however, providing the nighttime sequences with at the very least
adequate shadow detail. Anyone who has seen previous home video iterations of The Burning will most likely be
very pleased with this Blu-ray. Those expecting a pristine, contemporary looking outing will most likely not be. This score is
based on the fact that this recreates the original look of the film quite faithfully and has not been overly manipulated,
leaving film grain noticeably intact.
The Burning features a DTS-HD Master Audio Mono track delivered via DTS-HD Master Audio 2.0. Things sound really good here, albeit obviously very narrow. Dialogue (and screams) are presented with authority, and Wakeman's synth laden score comes through loud and clear. The film has fairly wide dynamic range which the DTS-HD Master Audio offering is able to support easily. Fidelity is excellent and there are no damage issues to report.
The Burning is a surprisingly effective little chiller that still delivers some fantastic scares over thirty years (wow!) after its release. Director Tony Maylam himself mentions in his commentary that he's kind of nervous about home video releases of films like this since they're of such a certain time and sensibility, and how sometimes it's better to just "let them go". But revisiting The Burning now shows a rather well made little film that does what it's supposed to do: titillate and shock in equal measure. This new Blu-ray has very good video and audio and comes replete with some nice supplements. Recommended.
Slipcover in Original Pressing
1981
Nightmares in a Damaged Brain
1981
Limited Edition
1982
1982
1985
1981
2013
1981
Deluxe Edition | SOLD OUT
1981
2011
Rosemary's Killer
1981
Collector's Edition
1988
1981
1983
1983
1988
2019
1988
Limited Edition
2009
1987