7.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Forced by illness to retire from an English public school, icily reserved middle-aged schoolmaster Andrew Crocker-Harris reflects on the personal and professional failures which have earned him the contempt of his unfaithful wife and the derision of most of his pupils over the years.
Starring: Michael Redgrave, Jean Kent, Nigel Patrick, Wilfrid Hyde-White, Bill TraversDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.31:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 4.0 |
Note: This film is available on Blu-ray as part of the box set The Browning Version.
Films about teachers and school life have been around since the dawn of the celluloid age, but films dealing with British school life often
seem to have their own rather distinctive character. As some of the supplements included in this set from Imprint get into, in that regard it's easy to
define at least a few way markers, including the beloved 1939 version of Goodbye, Mr. Chips (rather oddly still unavailable on Blu-ray as of the writing of this review) and Lindsay Anderson's
devastating 1968 opus If..... More or less in the middle of that 29 year
span the first big screen adaptation of Terrence Rattigan's 1948 one act play The Browning Version was released in 1951, giving Michael
Redgrave one of his more memorable roles, and in a way it both harkens back to the crusty but (maybe?) lovable teacher aspect of the James Hilton
work while also presaging some of the dysfunctions that Anderson explored in his film. The 1994 remake of The Browning Version may
therefore seem like a bit of an afterthought, or as one hoity toity type at the school Browning teaches at describes the focal teacher's prospective
farewell speech, an "anti climax", though it's still enjoyable and benefits from a winning performance by Albert Finney.
The Browning Version is presented on Blu-ray courtesy of Imprint and Via Vision with an AVC encoded 1080p transfer in 1.31:1. The back cover of this release offers only a generic "1080p high definition presentation from a 2K scan", which obviously isn't a ton of help in discerning the provenance of the element or any restoration that may have been attempted. My hunch is, upon seeing this transfer, that there really was little restoration done to the element, which actually has both positive and negative repercussions. On the plus side, there is a healthy, organic appearance throughout this presentation, with solid contrast, appealingly deep blacks and nicely modulated gray scale, along with generally nice looking fine detail levels on things like costumes and sets. Grain can be a bit thick looking at times, but resolves nicely. On the minus side, this is a rather recurrently damaged element, typically in the form of manifold vertical hairline scratches which often afflict the very top edges of the frame, but which certainly can extend further down. A cursory look at some of the screenshots I've uploaded to accompany this review will disclose some of these, but may not adequately indicate how constant they can be. In the grand scheme of things, they're a relatively minor distraction in a generally commendable presentation.
The Browning Version features an LPCM 2.0 Mono track that can't quite escape the boxy sound of its recording era, especially with regard to the film's score by Arnold Bax, which features some orchestral cues which just don't quite enjoy any significant high end openness. Dialogue on the other hand really doesn't encounter any significant obstacles, and this is something of a talk fest, so any qualms may be niggling at worst. While the overall track is narrow and shallow, I didn't notice any outright problems with regard to damage or distortion. Optional English subtitles are available.
The Browning Version builds to a surprisingly emotional conclusion, which might come as something of a surprise given how seemingly emotionless Andrew Crocker-Harris is. This is a real showcase for Michael Redgrave, who has rarely been better. There are a few passing hurdles in both the video and audio departments, but overall things are generally solid, and the two supplements are very enjoyable. Recommended.
(Still not reliable for this title)
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2011
Imprint No 83
1994
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2018
2019
1972
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Snow White
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Imprint #230
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Imprint #13 | Standard Edition
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1964
2009
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1948
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1942