6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Ten dollars a pound is the going rate for freight, so charter pilot Steve Collins figures he's owed $1,150, cash on delivery. His cargo is Joan Winfield, an heiress whose elopement with a musician is kiboshed when Steve kidnaps her so he can fly her to her irate papa. But then Joan finds a parachute. Comedy comes from a mother lode of sources in this screwball farce headlined by the ebullient pairing of James Cagney and Bette Davis, scripted by Julius J. and Philip G. Epstein and full of favorite supporting talents. The stars (in their second and final film together) spar with harebrained zest, the story scoots along like butter in a hot pan and the happy result from start to end is C.O.D. — comedy on demand.
Starring: James Cagney, Bette Davis, Stuart Erwin, Eugene Pallette, Jack Carson| Romance | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 4.0 |
A rollicking screwball comedy co-adapted by twin brothers one year before they wrote the screenplay for Casablanca, William Keighley's The Bride Came C.O.D. still entertains more than eight decades later. It's largely due to yet another standout lead performance from the eternally charismatic James Cagney, whose recent four-film collection from Warner Archive in one of the boutique label's very best multi-disc sets, but really this is a top-down showcase for just about everyone involved. I mean, who can resist any romantic comedy fueled by Stockholm Syndrome?

This all sounds awful for poor Joan, what with the sneaking around and ransom money, and it is. But The Bride Came C.O.D. treats its subject matter with such a light and careful touch that everything happening on-screen feels like part of the fun. Developments happen along the way, of course: Joan finds out about Steve's asking price and offers to pay him more, at least one person tries to jump out of the plane at a high altitude, an abandoned town with one occupant is explored, and there's a recurring encounter with cacti that involves sound effects straight out of Tom and Jerry. Add in a few more twists and turns and a generous amount of one-punch knockouts and you're got a recipe for 92 minutes of brisk, enjoyable comedy. (Well, maybe 80 minutes -- some of the initial setup is a little awkward and a few of the jokes don't land, so perhaps one of the twin screenwriters is pulling more of the weight here?)
The performances are largely on-point (George Tobias as Steve's employee "Pee Wee" Dafoe is especially great), the story is nearly fat-free, and
other fundamentals are also strong, from the workmanlike cinematography of Ernest Haller to the sharp editing of Thomas Richards and of course
the music by prolific composer Max Steiner. This is dangerously close to a "total package" film where every individual element creates something
greater than the sum of its parts, so fans and first-timers are encouraged to seek out Warner Archive's new Blu-ray: it features a flawless
restoration and plenty of era-specific extras that help to recreate a fun night at the movies in the summer of 1941.

Warner Archive's new 1080p transfer has been sourced from a recent 4K scan of The Bride Came C.O.D.'s original nitrate camera negative, which as always translates to an incredibly crisp and film-like presentation that should meet or exceed any and all viewer expectations. Fine details, black levels, density, and contrast are all uniformly excellent, and of course the image is exceedingly clean thanks to the boutique label's proprietary manual cleanup process which has removed all signs of age-related wear and tear. Disc encoding is very good as well with no obvious compression-related issues such as banding, black crush, or macro blocking to report, and the film runs at a high and supportive bit rate from start to finish. As always, buy with confidence and enjoy this outstanding presentation.

This lossless DTS-HD 2.0 Master Audio mix repurposes The Bride Came C.O.D.'s original monaural presentation as a split stereo track for wider playback, and it again shows similar signs of careful restoration efforts that collectively far outpace previous home video presentations. The often rapid-fire dialogue is clean and clear, while background effects and Max Steiner's solid original score sound excellent as well; everything's very much right in line with expectations for a film from this era, but for an over 80 year-old film it still sometimes manages to sonically impress.
Optional English (SDH) subtitles are offered during the main feature only, not the extras listed below.

This one-disc release ships in a keepcase with vintage poster-themed cover artwork; several great extras are included, most of which have likely been sourced from earlier DVD releases with some newly upgraded to HD.

Twin brothers Julius and Philip Epstein co-wrote the screenplays for several excellent films including Casablanca, The Man Who Came to Dinner, Arsenic and Old Lace, The Last Time I Saw Paris, and Strawberry Blonde. The latter is akin to The Bride Came C.O.D. because it was also released in 1941 and stars James Cagney, but this is a decidedly more brisk and screwy affair with fun twists, despicable behavior, multiple KOs, and plenty of memorable one-liners. Warner Archive's welcome new Blu-ray edition offers loads of support, including another top-tier restoration and great legacy bonus features that transport you back to theaters more than 80 years ago. Highly Recommended.
(Still not reliable for this title)

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