5.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
In 1930s Chicago, Frankenstein asks Dr. Euphronius to help create a companion. They give life to a murdered woman as the Bride, sparking romance, police interest, and radical social change.
Starring: Jessie Buckley, Christian Bale, Annette Bening, Penélope Cruz, Julianne Hough| Thriller | Uncertain |
| Period | Uncertain |
| Sci-Fi | Uncertain |
| Fantasy | Uncertain |
| Romance | Uncertain |
| Horror | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 1.5 | |
| Overall | 2.0 |
Warner Bros.' second indulgent adaptation of an established story that used creative punctuation to emphasize its edginess, Maggie Gyllenhaal's The Bride! was a massive critical and commercial flop given the talent involved. Jessie Buckley, she of Hamnet fame, pulls off a dual (triple?) role this time, and mostly as the literal "bride of Frankenstein"; her character was first introduced in Mary Shelley's original novel but perhaps most famously represented in James Whale's outstanding 1935 film The Bride of Frankenstein, widely considered one of the best of its genre.

Trouble starts soon for the duo after their "first date" at a movie, specifically one starring Frank's silver-screen idol Ronnie Reed (Jake Gyllenhaal), where they find an outdoor gathering but two ravenous men attempt to assault Ida, who now goes under the identity of "Penelope". Frank brutally kills both the men and encourages her to leave town... but instead, she flees with him to New York City, increasing their killing spree to three after a security guard discovers them hiding out in a train car. The murder cases are soon picked up by Detective Jake Wiles (Peter Sarsgaard) and his assistant Myrna Malloy (Penélope Cruz)... so The Bride! has now gone full-on Bonnie and Clyde as the monstrous duo drifts from place to place, often calling attention to themselves due to their appearances and uncontrollable outbursts. Essentially, it's a game of cat and mouse where the prey doesn't bother hiding, while the detectives remain on their scent by tracing their path near theaters where various Ronnie Reed films are currently showing.
Simply put, The Bride! gets off on the wrong foot and rarely regains anything close to a confident stride. The script is an absolute mess: loosely episodic at best and absolutely baffling at worst, with serious tonal issues flattening out any semblance of momentum along the way. This seems like a clear-cut case of a half-decent idea gone wrong, as Bale and Buckley -- especially the latter -- chew scenery alive but often to the film's detriment, as if their performances needed serious reining in but writer-driver Gyllenhaal told them to double down instead. (Those embarrassing "interventions" by Shelley's spirit are easily the biggest offenders.) In contrast, the performances of Sarsgaard and Cruz are absolutely flat as a pancake, and the dynamic of both couples is distractingly fueled by some of the most heavy-handed feminism I've seen in a film to date. I'm all for unique takes on otherwise stagnant franchises, but The Bride is 100% deserving of its box office failure: there's very little to like here, and an opposing creative force should have intervened instead of letting Gyllenhaal and company follow through with such a misguided, self-indulgent effort. Aside from a few lightly memorable moments and some seriously impressive prosthetics work, rarely has $90M bought so little.
So yeah, I pretty much hated this one despite desperately wanting to like it after reading a tidal wave of negative reviews during its
theatrical run. The mood and concept are interesting enough, and Bale and Buckley's shared scenes enjoy a bit of spark, but there's so much
off-putting material here -- a musical scene, even! -- that's it's hard to wrap my brain around everything that The Bride! gets wrong.
Maybe it'll be a cult classic in 20 years... but here and now, it almost tastes like poison. Warner Bros.' separate 4K and Blu-ray editions at least
boast strong A/V merits, but the tone-deaf extras were clearly crafted long before its disastrous theatrical showing back in March.

NOTE: These images are sourced from the included Blu-ray disc, also sold separately and reviewed here.
The Bride! was delivered to theaters with a 4K digital intermediate; most exhibited the film in fixed 2.39:1, although IMAX screenings reportedly used a shifting aspect ratio that expanded more than an hour's worth of footage to either 1.43:1 or 1.90:1. Sadly, Warner Bros.' home video packages retain the more common fixed aspect ratio, but the good news is that it still looks exceptional on this 2160p / HDR10 / Dolby Vision transfer. This was an entirely digitally-shot production so viewers can expect buttery-smooth fine detail and a clean, precise appearance no matter the location and lighting levels, with only a handful of scenes offering brightly lit and naturally attractive locales. True to its characters' nature, most of the film is overwhelmingly dark with heavy shadows; artificial light sources are commonplace but most of its indoor locations were constructed with natural light in mind. Colors typically offer that familiar mix of muted blue and amber hues for visual contrast with only sporadic bursts of green and yellow, while the occasional appearance of era-specific neon signage also spices things up a little. Shadow detail is nicely rendered but large swaths of flat black remain, and are often presented as part of the overall composition. The Bride! was clearly not made to be "pretty" but nonetheless looks great in UHD, where the HDR grade and higher resolution play nicely with rock-solid encoding on a triple-layered disc to produce a striking end result that handily beats the separate Blu-ray edition.

The Bride's Dolby Atmos mix doesn't reinvent the wheel, staying on a predictable path inside genre boundaries with infrequent but noticeable channel panning, an overall heavy atmosphere with robust LFE to match, supportive use of the height channels at crucial moments, and plenty of room left over for the original score by Hildur Guðnadóttir, whose name has become increasingly synonymous with risky, polarizing WB ventures including the recent "Wuthering Heights" which I actually liked Dialogue is decently crisp but those profane outbursts by Frank and "Penelope" test the limits of clarity at times, especially when her British accent goes in and out at random. All things considered, it's as rugged and impactful as it needs to be from start to finish, while those with smaller setups will find the folded-down Dolby TrueHD 7.1 option to be a worthy substitute rather than a sonic sacrifice.
Optional subtitles, including English (SDH), are included during the film and all extras listed below.

This one-disc release ships in a keepcase with poster-themed cover art and a matching matte-finish slipcover; a Digital Copy redemption code is also tucked inside. As for the extras, they're surface-level and self-congratulatory.

"Frankenstein's monster and his wife are reborn as Bonnie and Clyde." The Bride! was sold as writer-director Maggie Gyllenhaal's ambitious attempt to drastically reanimate two stagnant literary characters... but the uneven and mostly unpalatable end result really doesn't work at all. This feels like the second coming of Joker: Folie à Deux, which stands as a pretty damning sentence in my book... but if you warmed up to that film or really, really love the cast, The Bride! might be worth a shot. WB's separate 4K and Blu-ray editions look and sound as great as expected, but the bonus features are disappointingly weak and one-note. For obvious reasons, both are for established fans only.