7.7 | / 10 |
| Users | 5.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Director William Friedkin and playwright Mart Crowley serve up the acclaimed, groundbreaking film adapted from Crowley's hallmark Off-Broadway play — a witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game unleashes dormant and unspoken emotions in this humane, moving picture.
Starring: Kenneth Nelson (I), Frederick Combs, Cliff Gorman, Laurence Luckinbill, Keith Prentice| Drama | 100% |
| Dark humor | 1% |
| Comedy | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.5 | |
| Overall | 4.5 |
By the time 1970’s “The Boys in the Band” arrived, William Friedkin was already a working filmmaker. Hired to oversee an adaptation of Mart Crowley’s 1968 play, Friedkin accepted a unique challenge to peel the theatricality out of the writing, giving it a cinematic presence, laboring hard to turn the material into a fiery picture about a party involving a collection of gay men that gradually dissolves into an emotional mess. Crowley’s landmark work offered a humane but acidic understanding of men fighting through troubling issues and relationship woes, delivering a dimensional appreciation of hidden insecurities during a time reserved for a celebration. Friedkin respects the assignment, collaborating with Crowley (who handles scripting duties) to preserve the complexity of fears in the endeavor while also delivering a more visual experience. “The Boys in the Band” has its place in media history, but the feature is sure to deliver more than a just respectful take on the play, adding the intensity of closeness to the experience as the helmer plays careful attention to faces while detailing a nightmare evening of exposure for most of the characters.


Screencaps are taken from the Blu-ray.
"The Boys in the Band" was originally released on Blu-ray in 2015, offering a color grade reflecting director William Friedkin's interest at the time to
alter the look of his movies. Most viewers remember the pastel hues from the original "French Connection" Blu-ray, but Friedkin gave "Boys in the Band"
the same treatment. Cinematographe returns to the title with a UHD release, listed as "a new 4K
restoration presented in Dolby Vision," "from the original 35mm camera negative." The feature has been returned to its original look (or at least closer
to it), with the image presentation (1.85:1 aspect ratio) providing more natural hues overall. Primaries are defined, with sharp reds and blues, and hair
color is distinct. Party atmosphere delivers lively hues, along with costuming. Skin tones are mostly natural, with a few areas of hotness. Detail handles
well, exploring the textured, sweaty faces of the actors. Apartment experiences maintain dimension, and decorative additions are open for inspection. A
few exterior shots in the opening of the carry appealing depth. Blacks are deep throughout the viewing event. Highlights are tasteful. Grain is heavy and
film-like. Source is in good condition, with some mild scratches and at least one blip of frame damage.

Listed as the "original mono theatrical soundtrack," the 1.0 DTS-HD MA track provides a fresher understanding of "The Boys in the Band" than the Kino Lorber release. Dialogue exchanges stay crisp and consistent, with an appealing balance of emotional moods and louder outbursts. Musical offerings maintain defined instrumentation and dramatic support. Atmospherics are appreciable.


"The Boys in the Band" is a fascinating examination of personalities taxed by the pressures of a social experience, with the characters reunited, but not necessarily happily. Crowley creates a minefield of personal issues and deep-seated irritations to follow as the birthday celebration turns into something more confrontative, concentrating on layered characterizations and developing hostilities. It all comes to a superb boil thanks to Friedkin's tight direction and focus on turning the inherent flatness of the stage into a claustrophobic screen space, and performances are strong all around, providing a richly emotional view of distinct people fighting their feelings and evolving fears during an exceptionally long summer night in New York City.

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