5.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Winnie Slade, a young divorcee, buys an old historic house from nutty Professor Billings (Boris Karloff), who lives there with his daffy housekeeper and bizarre neighbors, in order to convert it into a hotel. She allows them to continue to live on the property - unaware that the Professor continues to experiment unsuccessfully on traveling salesmen, the bodies of whom have filled the cellar. They are joined by a variety of eccentric characters including a quack doctor who doubles as the town's sheriff, Winnie's frenetic ex-husband, an oddball choreographer, a punchdrunk traveling salesman, and a lunatic escapee from the Italian army...
Starring: Boris Karloff, Peter Lorre, Larry Parks (I), Jeff Donnell, Maxie RosenbloomHorror | 100% |
Dark humor | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.0 |
Note: This film is available on Blu-ray as a part of
Karloff at Columbia.
Boris Karloff has one of the more amazing filmographies in the annals of show business history, with the IMDb listing over 200 (!) acting credits for
the
venerable
performer. One of the kind of interesting if at times kind of weirdly unstated aspects of that success is the fact that Karloff managed his career in
at least some of the
1930s
and 1940s without the traditional “seven year contract” that was regularly doled by the major Hollywood studios in the Golden Age of filmmaking.
In
fact, many online biographies of Karloff don’t even mention any contracts, though the fact that a 1931 contract Karloff signed with
Universal
fetched over eleven thousand dollars in an auction is certainly more than enough evidence that (of course) some kind of contract was
signed
for various appearances. That said, Karloff at Columbia provides clear separate evidence that Karloff, unlike many other major
stars
of that same general period, was never officially tied down to one particular studio (many film fans almost automatically associate Karloff with
Universal during this period), at least for any extended period of time. The fact that Karloff was
also a guiding light behind the then nascent Screen Actors Guild may give credence to the hunch that Karloff was eerily prescient in being able to
see
that a studio’s contractual “hold” over a performer was something to be avoided, not chased, in an awareness that arguably came years before
such
heavyweights (and, notably, women) as Olivia de Havilland and Bette Davis started actual legal proceedings to chip away at the “seven year
indentured servitude” that
studios often required of their stars. Eureka Entertainment has now assembled six of Karloff's Columbia features made between 1935 and 1942
(the same period when Karloff was also appearing in films bearing the studio imprimaturs of everyone from Universal to Monogram to RKO) in an
appealing set that may not
include any outright masterpieces, but which show quite clearly just how versatile an actor Karloff was.
The Boogie Man Will Get You is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 1.34:1 (a just ever so slightly wider aspect ratio than the rest of the 1.33:1 presentations in this set). This presentation follows in line with the majority of the other transfers in this set, with recurrent if often minor damage, some brightness fluctuations and flicker, and what looks like print through, with what almost might be described as waves occasionally flowing vertically through the frame. This is another outing that has some darker material where an already thick looking grain field can be pretty gritty and rough looking. All said, though, this is probably a slight step above some of the others in this set, though arguably not quite at the generally consistent level of The Black Room. My score is 3.25.
The Boogie Man Will Get You features an LPCM 2.0 Mono track. The kind of goofy credits music by Morris Stoloff (who scored several of the films in this set) sounds reasonably full bodied, but still has a slightly boxy ambience which identifies the era of its recording. Dialogue and effects are rendered cleanly and clearly, and there are no issues with outright damage or distortion. Optional English subtitles are available.
You can almost feel the cast in this film struggling to provide the same kind of manic energy that Arsenic and Old Lace offered in a more effortless fashion. The film is fun, but it's never really laugh out loud hilarious. Video is decent if improvable, audio is relatively fine, and as with all the other films in this set, the included commentary is a lot of fun, for those who are considering a purchase.
(Still not reliable for this title)
Eureka Classics
1941
Eureka Classics
1940
Eureka Classics
1935
Eureka Classics
1939
Eureka Classics
1940
1963
Andy Warhol's Young Dracula
1974
Andy Warhol's Frankenstein / Andy Warhol's Young Frankenstein
1973
Eureka Classics
1979
2019
2011
Daddy's Deadly Darling / 88 Vault #3
1972
1976
1971
2009
1980
1982
1980
Slugs, muerte viscosa
1988
Slasher Classics Collection #3
1981