6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Emily De Blancheville returns to her ancestral home to find that her father has been transformed into a disfigured monster. The hideous beast, driven insane by an ancient family curse, is determined to kill his daughter before she turns twenty-one. With her birthday approaching, the creature escapes from his tower lair, intent on a deadly attack. Helplessly trapped in the manor, Emily appears doomed to a gruesome end when she falls into a mysterious trance...
Starring: Gérard Tichy, Leo Anchóriz, Ombretta Colli, Helga Liné, Irán EoryForeign | 100% |
Horror | 91% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Italian: LPCM Mono
English: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 4.0 | |
Overall | 3.0 |
Note: This film is available on Blu-ray as part of Gothic Fantastico: Four Italian Tales of Terror.
This is the time of year when spookiness is almost literally in the air, but it may also be an appropriate time to consult any number of experts prone
to
helping identify genres, at least for those who may be interested in battening down exactly what this or that generic term might refer to. The
recently
reviewed
megaset from Severin All
the Haunts Be Ours: A Compendium of Folk Horror spent a good deal of time in both an accompanying documentary as well as several
commentary tracks trying to define exactly what "folk horror" might or might not be, with some fairly divergent opinions emerging, but
perhaps thankfully, there seems to be at least a bit more consensus about what constitutes so-called "gothic horror". In that regard, Mark
Thompson Ashworth provides introductions for the four films Arrow has aggregated for the Gothic Fantastico set, and in one of them he
cites Touchstones
of Gothic Horror, a book by David Huckvale which lists tropes like staircases, storms, ruins, heaving cleavage and ornate coffins, most of which
at least
are on display in this quartet at various times.
Arrow has lumped all four films together in terms of its verbiage on the transfers included in the insert booklet which accompanies this set:
The Blancheville Monster (Horror), The Third Eye (Il terzo occhio) and The Witch (La strega in amore) are presented in their original aspect ratios of 1.85:1 with Italian and English mono audio. Lady Morgan's Vengeance (La vendetta di Lady Morgan) is presented in its original aspect ratio of 1.85:1 with Italian mono audio.The Blancheville Monster is quite impressive looking in this transfer, with just a few niggling quality fluctuations that tend to understandably occur in things like optical dissolves and some of the film's "special effects". Contrast is very appealing, with some lusciously deep blacks helping to support the gothic mood, and detail levels are also typically excellent on everything from costumes and sets to the makeup on one character in particular. While there is some age related wear and tear, it's not at the level of Lady Morgan's Vengeance, and tends to be limited to fairly minor nicks and blemishes. Grain resolves naturally throughout.
The original 35mm camera negatives for The Blancheville Monster, The Third Eye and The Witch were scanned and restored in 2K resolution at L'Immagine Ritrovata, Bologna. The films were graded at R3Store Studios, London. The mono Italian and English language tracks were remastered from the optical sound negatives by L'Immagine Ritrovata and Bad Princess Productions, London.
The original 35mm camera negative for Lady Morgan's Vengeance was scanned in 2K resolution at Cinema Communications Services, Rome. Grading and restoration were completed at R3Store Studios, London. The mono Italian language track was remastered from the optical sound negative by Bad Princess Productions, London. The audio synch for all three films will appear slightly loose against the picture, due to the fact that the dialogue was recorded entirely in post production, as per the production standards of the period.
All original materials used for the restorations of The Blancheville Monster, The Third and Eye and The Witch were made available from Movietime.
All original materials used for the restoration of Lady Morgan's Vengeance were made available from Variety.
The Blancheville Monster features LPCM Mono tracks in either the original Italian or an English dub. The English language version is noticeably brighter on the high end in particular, something that is immediately noticeable if, for example, you toggle between the tracks during the opening credits music. The score is kind of wonderfully hyperbolic in any case, and sounds problem free. As with all the tracks included in this set, there's a slightly boxy sound that may not actually afflict this release as much as some of the others in the set, but which can still be heard. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
It's probably appropriate in a way to think of Edgar Allan Poe turning in his grave over the repeated use of his name for supposed "adaptations" when the tether to the master's work is tangential at best. You can feel the Italian crew attempting to recreate the Corman Poe ambience here, and if they don't completely succeed, they offer a reasonable facsimile some of the time. Technical merits are solid, and the supplements very appealing, for anyone who may be considering making a purchase.
(Still not reliable for this title)
1966
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