6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Three film students head into the woodlands of Maryland in search of the Blair Witch, a local legend that has haunted the town of Burkittsville for centuries, as part of a documentary project. They were never seen again. This footage is all that remains of that fateful excursion.
Starring: Heather Donahue, Joshua Leonard, Michael C. Williams, Bob Griffin, Jim King (IV)Horror | 100% |
Thriller | 23% |
Mystery | 20% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080/60i
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Region B (locked)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.5 |
Often imitated but never duplicated, Daniel Myrick and Eduardo Sánchez's The Blair Witch Project was one of a few films that shifted the 1990s pop culture landscape. A unique hybrid of documentary and horror, it told the fateful tale of Heather (Heather Donahue, now Rei Hance), Michael (Michael Williams), and Josh (Josh Leonard), three filmmakers on the hunt for a mythical creature in the wilderness near Burkittsville, MD in 1994. The film's seismic 1999 theatrical run was built on claims that the "found footage" was authentic and its three "stars" were actually killed during production, catapulting this tiny little <$1M production into a quarter-billion dollar success. Rushed to theaters by US distributor Artisan Entertainment, the film's unique blend of consumer-grade Hi8 video and black-and-white 16mm footage was compromised by the studio's decision to create a 35mm filmout, homogenizing the two formats to a surprising degree. 25 years later, the British boutique label Second Sight, in collaboration with its co-directors and other crew members, has gone back to the original elements to rebuild the film in the way it was originally meant to be seen.
In addition to the newly rebuilt Theatrical Cut, it's also worth noting that both this Limited Edition and the standard version (housed in keepcase packaging with no
printed goodies, as detailed below) include two additional versions of The Blair Witch Project on Disc 1. The similarly rebuilt "Festival Cut"
(85:19) runs exactly 3:58 longer overall and was prepared for the festival circuit before Blair Witch earned a theatrical release. Though not
substantially different, this version of the film includes several alternate and/or extended moments as well as variances in parts of the audio mix.
An "unrestored" Theatrical Cut is our third and final option; sourced from that same hasty 35mm filmout by Artisan Entertainment described above,
it's much closer to what was seen in theaters in 1999 as well as on the DVD and 2010 Blu-ray. Once you see Second Sight's new restoration,
though, it'll be almost impossible to go back.
Not to again branch off from Jeffrey Kauffman's review of Lionsgate's 2010 Blu-ray, but his then-accurate quip about its video quality ("Was there ever a film less likely to benefit from a Blu-ray upgrade than The Blair Witch Project?") has a much different answer now. Simply put, Second Sight's remarkable rebuild of the film from its original source elements gives the end product an authentic amount of texture and character that make it a more convincing experience as seen in these direct-from-disc screen captures. Rather than the homogenized 24fps frame rate seen in theaters and earlier home video editions (which also suffered from other baked-in imperfections), we now get a simulated mix of 59.94fps Hi8 color video and traditional black-and-white 16mm, the latter of which incidentally now has an authentic veneer of thick film grain. Anyone who grew up watching or using either of these formats will instantly appreciate the differences on display here, and original Blair Witch co-producer Mike Monello has even recently remarked that "it finally feels like the movie is finished, after 25 years." Simply put, this welcome new restoration is about as close to a 1:1 presentation of the source material as we'll ever get on home video, and for that alone it earns perfect marks.
Speaking of Mike Monello... as luck would have it, he joined our forums recently to detail the new restoration, different cuts, and other aspects of Second Sight's new Blu-ray release, even answering questions from members on more than a few occasions. Similarly, David Mackenzie, the founder of esteemed disc authoring house Fidelity in Motion (who has worked with Second Sight, Arrow Films, Warner Archive, and other highly-regarded boutique labels) and a long-time member of our forums, has also contributed information about the disc production as well. For those two want to learn more about the new restoration and encoding, follow along in the official thread. (The fun begins on page 13.)
The sonics are a trickier situation, as the first pressing of this this release (including the one I received) included a defective audio track for the restored Theatrical Cut which effectively plays in DTS-HD 2.0 Master Audio split mono rather than a true stereo presentation. To their credit, Second Sight have since issued a disc replacement program in which buyers can e-mail blair@secondsightfilms.co.uk with a subject line of "Blair Witch replacement disc" along with a proof of purchase to receive their replacement. With that in mind: based on the presumably similar true stereo heard on the included Festival Cut, viewers should expect a familiar and very straightforward audio experience with modest channel separation and an intentionally limited atmosphere in keeping with the film's "amateur" roots.
Optional English (SDH) are included during all three versions of the film, but not the extras below.
This two-disc set ships in deluxe packaging as seen above, a design that meets or exceeds the boutique label's usual output. Its outer shell is a rigid slipcase with new artwork by Timothy Pittides (top center) and both discs are housed in a simple Digipak case with two hubs (top right). The main printed extra tucked inside is a 184-page hardback book (top left) with archive production materials, stills, and brand-new essays by contributors Stacey Abbott, Becky Darke, Adam Hart, Craig Ian Mann, Mary Beth McAndrews, Dr. Cecilia Sayad, Pete Turner and Heather Wixson. Also inside are three bound collector's art cards (bottom left) as well as a very cool replica of Heather's journal as seen in the film (bottom right), which is filled with "handwritten" notes and an unfinished collection of entries. It's a great-looking package overall and surprisingly not all that bulky, taking up about the same width as three Blu-ray keepcases.
The on-disc bonus features are numerous and well worth digging through. Most are new and exclusive to this Limited Edition Blu-ray release and the standard version, while a few are recycled from Lionsgate's 2010 Blu-ray.
DISC ONE
DISC TWO
Daniel Myrick and Eduardo Sánchez's The Blair Witch Project burned brightly in 1999, immediately securing a spot in cinema history for its creative approach and clever marketing tactics that made it one of the top 10 most successful independent films of all time. Unknown to the majority of fans, though, the version seen in theaters and earlier home video releases was not what the filmmakers originally intended... and a quarter-century later, that issue's finally been rectified with this welcome new Blu-ray edition from Second Sight Films that restores the Hi8 video and 16mm source elements to their former glory. Armed with a treasure trove of new and legacy extras as well as deluxe packaging on this Limited Edition release (a swag-free standard version is also available), it's a very, very Highly Recommended purchase, at least pending the disc replacement as detailed in the "Audio" section above.
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