7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
In the late 18th century, the French republic has been thrown into social and political chaos, a disarray that is exploited by the evil Maximillan Robespierre. Within 48 hours, Robespierre will sieze power and perpetrate his diabolical tactics on France's helpless citizens. Charles, a freedom-fighter working for the resistance, poses as the murderous prosecutor that Robespierre has sent for, skillfully sidestepping the secret police and informants with the guidance of Madelon, a former lover who's now a key resistance member. When Robespierre tells Charles that his black book, a notorious death list filled with enemies on both sides, is missing, Charles is commanded to find it before its contents can be exposed, putting an end to his planned dictatorship. Charles' quest to maintain Robespierre's trust while secretly trying to destroy him and his wrathful allies elicits a series of suspenseful exploits where danger looms around every Parisian corner...
Starring: Robert Cummings, Richard Basehart, Richard Hart, Arlene Dahl, Arnold MossDrama | 100% |
Film-Noir | 78% |
Romance | 39% |
War | 15% |
Adventure | Insignificant |
History | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 0.0 | |
Overall | 3.0 |
Note: This film is available as part of
Noir Archive - Volume 1: 1944-1954.
While the frequently questionable “expertise” of Wikipedia asserts that film noir lasted from the early 1920s until the late 1950s, my
hunch
is at least some fans of film history would tend to proscribe the idiom’s heyday to a probably smaller window of time beginning at some
point in the
1940s and then extending into some other point in the 1950s. If that proscription is accepted, it might then be arguable that there was
no
better purveyor of film noir than Columbia Pictures during this period. While many of the undisputed classics of film noir came
from other studios, as
in the case of Paramount’s Double Indemnity
(released
on Blu-ray through Universal, due to the vagaries of film catalogs changing hands), or Metro-Goldwyn-Mayer’s The Postman Always Rings Twice (released on Blu-ray through
Warner Brothers, due to — well, you get the idea), Columbia Pictures managed to churn out a rather significant amount of noir offerings,
albeit often in what would probably be termed the “B-movie” category. Kit Parker Films and Mill Creek Entertainment have now assembled nine of
these rather interesting
Columbia offerings in one three disc package, and for noir fans, there are at least a couple of rather notable films in this first collection (it
looks like Noir Archive Volume 2: 1954-
1956 is due in a few months), as well as some other outings which frankly might be best categorized as oddities.
The Black Book is presented on Blu-ray courtesy of Mill Creek Entertainment and Kit Parker Films with an AVC encoded 1080p transfer in 1.33:1. As odd as it may sound given the film's subject matter, in some ways this has the most "traditional" noir stylization in terms of the visuals, courtesy of the always amazing John Alton. Perhaps because of the ubiquity of dark settings and chiaroscuro, scratches are more noticeable. The right side of the frame seems prone to some relatively long lasting ones, though you can see a rather large one on screenshot 2 toward the center of the frame. There are also other signs of age related wear and tear, including minor speckling and dirt. The repeated use of completely shrouded imagery can tend to keep fine detail levels at bay at times, and there are some rather striking exterior shots that look like they may have been optically composited, and in those moments grain spikes appreciably. Some of the close-ups of Arlene Dahl are in soft focus, but generally speaking this is a sharp and well detailed accounting of a very uniquely shot film.
The Black Book's DTS-HD Master Audio Mono track offers good support for the sometimes raucous dialogue, though Sol Kaplan's score can sound just a trifle boxy at times, especially in the midrange where he tends to exploit bombastic brass sonorities. As with several other films in this set, background hiss becomes more evident when things quiet down, but nothing ever reaches really problematic levels.
No supplements are offered on this release.
I guess since noir is after all a French word, it shouldn't seem that strange that a noir-ish film was made about the French Revolution. And yet — The Black Book kind of is strange, with a delirious, near hallucinatory, quality, especially with regard to some of the hyperbolic supporting performances and John Alton's often askew framings. I think the film might have worked better with a less foppish seeming actor in the leading role, but one way or the other, The Black Book is a really interesting watch, even if it never generates the excitement it seems to be aiming for. Video and audio have a few minor issues, but are generally solid. With caveats noted, Recommended.
(Still not reliable for this title)
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Warner Archive Collection
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