6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Norman Forester is going to meet his girlfriend's family at her father's birthday party. But a night of promise leads to disaster when Norman uncovers an ancient evil that might bring about the end of the world.
Starring: Corey Feldman, Jack Taylor (II), Tony Corvillo, Sue Flack, Colin Morgan| Horror | Uncertain |
| Comedy | Uncertain |
| Mystery | Uncertain |
| Sci-Fi | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Co-writer and director Eugenio Mira may engender a bit of surprise when in a supplement on this disc he overtly compares The Birthday to Donnie Darko in some frankly unspecified but (to Mira, anyway) meaningful way, though it may be salient to note that Mira is pretty quick to confess that he actually prefers Donnie Darko to his own film (if I'm understanding his comments correctly). The only tethers that some curmudgeons (ahem) may experience between these two films is a general incoherence on some surface levels combined with a completely unique point of view and some increasingly surreal vignettes. There's no demented giant bunny here, nor is there an errant jet falling out of the sky, but there is an at least somewhat similarly askew sensibility to this film that may in fact remind some of Donnie Darko. That said, to paraphrase a memorable comment from a long ago Vice Presidential debate, Corey Feldman is no Jake Gyllenhaal, and Feldman's completely tic driven performance here is probably going to annoy as many people as it delights. That may become even more of a problem with regard to the film as a whole since Feldman's character of Norman Forrester is (supposedly) on screen for the entire 117 minute running time of the narrative. Also unlike Donnie Darko, that running time is utilized as "real time" in the film itself, meaning that the entire gonzo story unfolds within the running time of the film.


The Birthday is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 2.39:1. Arrow sent a check disc for purposes of this 1080 review, but they sent a retail final of their The Birthday 4K release, and I'm assuming that per the label's recent history, they provide the same insert booklet for their 1080 release as for their 4K UHD release. With that in mind, Arrow's insert booklet offers only the following short and generic information about the presentation:
The Birthday is presented in its original aspect ratio of 2.39:1 with 5.1 sound.There's surprisingly little information on what was evidently a self funded restoration effort (over the course of many years) by Mira for this release, but the results are generally quite winning. Some of the presentation seems intentionally soft and filtered looking, as if diffusion filters may have been used to increase the hallucinogenic aspect of what's going on, but that said, detail levels are typically precise looking throughout this presentation, hobbled perhaps just a bit by a prevalence of wider framings and a glut of pretty dimly lit material. A lot of this film takes place in shadowy environments, and probably unsurprisingly Arrow's 4K UHD release can help elucidate some of the darker areas of the frame courtesy of its HDR / Dolby Vision grades when compared to this 1080 presentation. The production design is not especially resplendent (intentionally so), but things like the red carpet of the ballroom, Norman's baby blue tux shirt, or some of the yellow walls in the hotel pop extremely well even in SDR. Grain resolves naturally throughout, and I noticed no signs of age related wear or tear.
The film was restored from the original 35mm camera negative in 4K resolution by Giant Pictures.

The Birthday features an increasingly immersive DTS-HD Master Audio 5.1 track. Much like the actual narrative, the first half of the film can be a bit of a slog, audio wise, though there is still at least intermittent engagement of the side and rear channels for (typically claustrophobic) ambient environmental effects. However the last half (or at least last third) of the film tips over into absolute mayhem, and at the point the sound design becomes almost Baroque in its layering and immersive capabilities. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Corey Feldman has obviously had a somewhat troubled life, as evidenced by his own self reportage and his frequent appearances in the news and/or gossip rags, most recently with his assertion that the Academy Award festivities scheduled for this coming weekend (as this review is being published) has exiled him from a planned tribute to Rob Reiner. Unfortunately that very troubled quality seems to almost unavoidably seep into Feldman's characterization in this film, and I personally think he tends to upset the apple cart, so to speak, more than helping things to attain a consistent tone. Still, this is a very interesting low budget affair on any number of levels, and the imprimatur of Jordan Peele should certainly bring new eyes to the project. Technical merits are solid (though my advice for any fans is to opt for the 4K UHD release) and the supplements are very enjoyable, for anyone who may be considering making a purchase.