Cover coming soon |
6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Playboy John Carter is implicated in the murder of a blonde from a discotheque and is forced by gangsters into posing for pornographic photographs.
Starring: Sebastian Breaks, Virginia Wetherell, Jack Allen (I), Derek Aylward, Erika RaffaelForeign | 100% |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM 2.0
None
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
Working his way out of the nudie movie business, 1968’s “The Big Switch” represents writer/director Peter Walker’s effort to redirect his career, trying to make a down and dirty impression with this British gangster picture. With its emphasis on violence and nudity, it’s easy to see what Walker was after with “The Big Switch,” hoping to tantalize audiences with exploitative elements he spent his early years perfecting. Missing from the film is any type of pace and conflict, lumbering along, waiting for the periodic burst of aggression to snap it awake.
The AVC encoded image (1.66:1 aspect ratio) presentation represents a restoration from the BFI, who manage to refresh "The Big Switch" for modern HD consumption. Roughness remains, with mild scratches, speckling, and debris detected, along with few damage spots, but the overall look of the movie remains surprisingly clean, delivering compelling primaries and natural skintones, while filmic textures are preserved to a certain degree. Delineation is communicative, even when dealing with tighter cinematographic demands, allowing an opportunity to survey London nightlife and shadowy encounters.
The 2.0 LPCM sound mix manages with the inherent limitations of the original recording, which retain a scratchy quality, though a great deal of hiss has been dialed down to comfortable levels. Extremes are crispy, with mild distortive qualities, but dialogue exchanges are adequate, managing accents and echoed rooms. Scoring and soundtrack cuts retain crispness, and while they're used repetitively, music is effective in conjuring mood, never steamrolling over dramatic requirements. Atmospherics are spare, mostly contained to group activity in nightclubs.
"The Big Switch" attempts to be a male fantasy, with guns and breasts explored with equal concentration, but Walker forgets to bring a story along with him. Glacial, even at 68 minutes, "The Big Switch" never builds to anything significant, frequently caught impersonating a roaring gangster saga instead of actually becoming one.
(Still not reliable for this title)
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