6.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
New Wave director Richard Lester joins former members of THE GOON SHOW to create a series of comic sketches about a post-nuclear London: a girl is 17 months pregnant, a father turns into a parrot, a man becomes a chest of drawers and another man--a bed sitting room.
Starring: Rita Tushingham, Ralph Richardson (I), Peter Cook, Dudley Moore, Spike MilliganSurreal | 100% |
Sci-Fi | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 1.5 | |
Overall | 3.0 |
1969’s “The Bed Sitting Room” is perhaps the most British film I’ve ever seen. It emerges from the minds of Spike Mulligan and John Antrobus, who bring their oddball play concerning the fate of England after a nuclear attack to the screen, with direction handled by celebrated mischief-maker Richard Lester. It’s impenetrable work, often caught in a weird cycle of repetition as it works through misadventures episodically, but for admirers of Mulligan’s famed sense of humor, “The Bed Sitting Room” collects an impressive roster of actors to bring such persistent peculiarity to life.
The AVC encoded image (1.85:1 aspect ratio) presentation manages the unique look of "The Bed Sitting Room" satisfactorily, offering reasonable detail that pulls out the collection of textures Lester arranges throughout the feature. Facial particulars also stand out quite nicely, along with location visits, preserving distances. Colors are in good shape, ranging from everyday hues to the more extreme radiated sequences, which blow up the frame with a poisonous rainbow. Delineation is decent, securing all frame information. Source is in good shape, with some mild specking and a few passages of frame damage.
The 2.0 DTS-HD MA sound mix remains in line with period limitations, putting emphasis on dialogue exchanges, which can be tricky to follow due to accents and the general chaos of the picture. Everything remains within reason, supported by periodic musical moments, which sound passably clear. Atmospherics are thicker but still interesting. Sync has its struggles, but this looks to be the result of shoddy ADR work.
The charms of "The Bed Sitting Room" are limited to a few escalations of absurdity, and there's a fine ensemble collected here to bring the material to life, with Ralph Richardson, Dudley Moore, and Peter Cook a few of the talents assembled. "The Bed Sitting Room" benefits from their timing and patience with Lester's short attention span, giving the feature a fighting chance to attain some level of appreciation during what ends up becoming a very long 90 minutes of barbed shapelessness.
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