8.4 | / 10 |
Users | 4.2 | |
Reviewer | 4.5 | |
Overall | 4.2 |
50 Beatle music promo videos in surround sound.
Starring: Paul McCartney, John Lennon, George Harrison, Ringo Starr, Yoko OnoMusic | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 5.1 (96kHz, 24-bit)
English: LPCM 2.0 (96kHz, 24-bit)
English: Dolby Digital 5.1 (640 kbps)
English, French, German, Italian, Portuguese, Spanish, Dutch
50GB Blu-ray Disc
Three-disc set (2 BDs, 1 CD)
Slipcover in original pressing
Region free
Movie | 4.5 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.5 |
February 3, 1959 has entered the annals of history as the so-called “day the music died”, but for whatever reason August 1, 1981 hasn’t attained the same iconic status, despite being what some might call the “day the music video was born, at least kind of” (maybe that clunky description could be one reason why the date has continued to live in relative obscurity). MTV of course launched on that summer day some 35 (!) years ago, supposedly debuting the newfangled idea of the music video with the wry opening number “Video Killed the Radio Star” by The Buggles. While the term “music video” may have indeed been (at least relatively) newfangled, the actual idea of music stars performing their hits on television was certainly as old, or nearly as old, as the medium itself. While most early television opted for live performances (or quasi-live, lip synched, performances done to pre-recorded playback), by the time the 1960s came along there was an increasing awareness that filmed or taped versions of music stars’ offerings could be used in various marketing gambits, especially for audiences who were in locations where the artists were not planning on touring anytime soon. There were a number of prescient artists and bands during this era who started experimenting with short form music videos, including The Doors, whose efforts in this emerging medium have been compiled on The Doors: R-Evolution. But probably no group was more prescient than The Beatles, though perhaps strangely many fans have not been privy to the “mini movies” (as the band called them) that the Fab Four produced during their heyday, along with their perhaps more common "live" appearances (whether live or lip synched) on various variety shows of the era. Some Beatles video footage has been released before, notably in The Beatles Anthology, but this new set compiles everything from “Love Me Do” to “Real Love”, providing a wealth of fascinating material (some never seen before, at least by the general population) that proves The Beatles could be as artful in the video department as they were in the audio department.
The Beatles 1+ Deluxe is presented on Blu-ray courtesy of Apple and Capitol Music with AVC encoded transfers in both 1080i and 1080p (see above for a list of the various resolution presentations), and in a variety of aspect ratios, most of which hover around the 1.33:1 size (some are a bit narrower, a few get to wider aspect ratios like 1.66:1). As should probably be expected from a compilation like this one, video quality is quite variable, with some of the broadcast videos having baked in issues like ghosting, tracers and combing artifacts. The more professionally produced items, especially those on 35mm and 16mm, look significantly better, with very good (if perhaps not exceptional) levels of detail, and some great color (especially during the psychedelic Sgt. Pepper era). The 16mm films show requisite (heavy) grain, and the finer grain field of the 35mm elements is also generally organic looking. Whatever restorative efforts which were undertaken have resulted in elements which are largely problem free, at least in terms of damage that can be ameliorated with digital tools.
The Beatles 1+ Deluxe features LPCM 2.0 and DTS-HD Master Audio 5.1 mixes. According to several sources Giles Martin (son of Beatles producer George) and Sam Okell returned to the original master tapes to produce new mixes for this project, in much the same manner as in the Vegas Cirque du Soleil Love. The changes here may rankle some purists, but when taken on pure fidelity terms, there's very little to complain about here. Some of the actual live performances suffer a bit from clarity issues, but generally speaking, this is a precise sounding release that offers excellent clarity and at times some relatively extreme stereo imaging in the 2.0 versions. The surround iterations are interesting, with an attempt to thrust the listener "inside" the music, though several of the tunes seemed to be awfully "wet" (i.e., lots of reverb) sounding. Due to that fact, some of the surround mixes sound slightly diffused at time, and those wanting a more focused "archival" sound will probably want to opt for the stereo versions.
This deluxe edition offers a bonus Blu-ray disc (the so-called "+" disc), as well as the CD release of 1, all housed in a hardcover book
that
includes a lot of information on each single/video. The on disc supplements are:
1
- Penny Lane
- Hello, Goodbye
- Hey Jude
- Penny Lane (1080i; 2:02)
- Hello, Goodbye (1080i; 1:53)
- Hey Jude (1080i; 1:39)
- Get Back (1080i; 2:43)
It's hard to believe just how thoroughly The Beatles changed—well, just about everything, and all in only eight years (give or take) on the world stage. This fascinating compilation shows the boys growing from eager if inexperienced early "live" television performers, to much more seasoned and experimental "mini movie" makers. Fab Four aficionados will certainly want to add this collection to their collections, even if some may choose to opt for the less spendy versions (linked above), though this Deluxe Edition's second Blu-ray disc actually contains some of the rarer material. Highly recommended.
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