7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Twenty-eight-year-old Tom leads a life that might be termed as criminal. In doing so, he follows in the footsteps of his father, who made his money from dirty, and sometimes brutal, real estate deals. Tom is a pretty hard-boiled guy but also strangely considerate as far as his father is concerned. Somehow he appears to have arrived at a critical juncture in his life when a chance encounter prompts him to take up the piano and become a concert pianist, like his mother. He senses that this might be his final opportunity to take back his life. His piano teacher is a Chinese piano virtuoso who has recently come to live in France. She doesn't speak a lick of French so music becomes the only language they have in common.
Starring: Romain Duris, Aure Atika, Emmanuelle Devos, Niels Arestrup, Linh-Dan Pham| Drama | Uncertain |
| Foreign | Uncertain |
| Crime | Uncertain |
| Romance | Uncertain |
| Music | Uncertain |
| Action | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 4.5 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 4.0 | |
| Overall | 4.5 |
Jacques Audiard's "The Beat That My Heart Skipped" (2005) arrives on Blu-ray courtesy of Criterion. The supplemental features on the release include new program with Jacques Audiard; archival program with Tonino Benaquista; archival program with composer Alexandre Desplat; archival footage from the Berlinale; vintage trailer; and more. In French, with optional English subtitles for the main feature. Region-A "locked".


Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Beat That My Heart Skipped arrives on Blu-ray courtesy of Criterion.
In 2016, we reviewed this Region-B release of The Beat That My Heart Skipped, produced by British label Artificial Eye. Criterion's release is sourced from the same master that Artificial Eye worked with to produce the Region-B release.
The Beat That My Heart Skipped looks good in high-definition. Delineation, clarity, and depth all fluctuate between pleasing and very good. However, there is plenty of material where natural light and various highlights and nuances are captured in unique ways, sometimes intentionally, sometimes simply because the camera moves a lot. Even when we covered the previous Region-B release, I thought that a future new master could make these areas appear slightly more convincing, and last night, while revisiting the film, I again felt that there is some room for small yet meaningful improvements. Color balance is excellent. However, I feel that the improvements I mentioned above could enhance some nuances, which will then strengthen the dynamic range of the visuals. However, even on a very large screen, the current master still produces good looking, convincing visuals. Image stability is excellent. My score is 4.25/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).

There is only one standard audio track on this Blu-ray release: French DTS-HD Master Audio 5.1. Optional English subtitles are provided for the main feature.
The lossless track is excellent. However, virtually everything that impresses in the audio department has something to do with the film's smart sound design, rather than with the lossless track handling certain areas of it exceptionally well. All exchanges are clear, sharp, and easy to follow. I did not encounter any anomalies to report. The English translation is excellent.


In a new program, Jacques Audiard describes The Beat That My Heart Skipped as a "remake, pure and simple remake, of James Toback's Fingers." I have to respectfully disagree. The Beat That My Heart Skipped is neither a simple nor a pure remake, and later in the same program, Audiard highlights several reasons why. The biggest of these reasons is that it produces an entirely different character study, which, as Audiard correctly points out again, is initiated in an environment that has nothing in common with the one where Toback unleashes Harvey Keitel. I like The Beat That My Heart Skipped quite a lot because it is a multi-layered film with a very flexible identity, much like Deadly Circuit, which Audiard penned with his famous father several decades earlier. VERY HIGHLY RECOMMENDED.

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