8.4 | / 10 |
Users | 2.5 | |
Reviewer | 4.0 | |
Overall | 3.5 |
Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to 1950s Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.
Starring: Brahim Hadjadj, Jean Martin (I), Yacef Saadi, Samia Kerbash, Ugo PalettiDrama | 100% |
Foreign | 90% |
War | 17% |
History | 11% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: LPCM 2.0 Mono (48kHz, 16-bit)
Italian: LPCM 2.0 Mono (48kHz, 16-bit)
English
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region B, C (locked)
Movie | 5.0 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 4.5 | |
Overall | 4.0 |
Gillo Pontecorvo's "La battaglia di Algeri" a.k.a. "The Battle of Algiers" (1966) arrives on Blu-ray courtesy of British distributors CultFilms. The supplemental features on the disc include video interviews with director Gillo Pontecorvo, producer and head of FLN guerrillas Saadi Yacef, and FLN fighter Zohra Drif Bitat; video interviews with directors Ken Loach and Paul Greengrass; large gallery of stills; and more. The release also arrives with a 30-page illustrated booklet featuring critic David Forgacs' essay "Italians in Algiers" and professor Alan O'Leary's essay "Spaces and Times in The Battle of Algiers". In French and Arabic, or Italian, with optional English subtitles for the main feature. Region B/C "locked".
The FLN has a pyramid structure...
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Gillo Pontecorvo's The Battle of Algiers arrives on Blu-ray courtesy of CultFilms.
The release is sourced from a new 4K restoration of the film that was completed by Fondazione Cineteca di Bologna and Istituto Luce - Cinecitta, with the support of Igor Videocine Produzioni, Casbah Entertainment, Surf Films and CultFilms.
The following text is provided by the distributors:
"The 4K restoration of The Battle of Algiers was made from the original camera and sound negatives. The overlays of both the original Italian and Franco-Arabic versions have been digitally reconstructed using a period dupe negative and recombined on a period dupe positive background. A 1966 print, made available by the director's family, was used as reference for reconstruction and grading. During the color correction, supervised by Marco Pontecorvo, the best efforts were made to replicate the grainy and contrasted look originally conceived by director Gillo Pontecorvo."
This important film was initially released on Blu-ray by Criterion in 2011 (you can see our review of this release here), and consequently by Argent Film/CultFilms in the United Kingdom (you can see a review of this release here). I liked the old presentation of the film quite a lot, and even though now it looks a tad dated I have not changed my opinion of it at all.
The new 4K restoration offers some predictable improvements in terms of density, but that is where virtually all of its meaningful advantages end. There are a couple of reasons for this. First, the entire film has a questionable grading that frequently flattens darker footage and in some instances even collapses detail. I don't know if this is a side effect that is present only on a digital master that was created after the restoration was completed, but it is something that is common on many 4K restorations that have been completed at Bologna and then introduced on Blu-ray (for reference, the 4K restoration of Rocco and His Brothers has virtually all the same shortcomings). On smaller screens these anomalies can be somewhat easy to ignore, but on a larger screen the flatness frequently becomes very obvious (you can see clear examples in screencaptures #6 and 9). Elsewhere there is also some noticeable black crush that appears linked to a type of softness that is not inherited. In other words, the film's dynamic range is rather problematic (see screencapture #5). Second, the encoding is far from impressive. There are numerous areas where plenty of artifacts and even some blockiness emerge in the background and further erode or collapse existing detail. The good news is that image stability is excellent. All noticeable age-related imperfections have been removed as well. My score is 3.75/5.00. (Note: This Blu-ray disc has been locked for Regions B and C. Therefore, you must have a native Region-B, Region-C or Region-Free player in order to access its content).
There are two standard audio tracks on this Blu-ray release: French LPCM 2.0 (with portions of Arabic) and Italian LPCM 2.0. Optional English subtitles are provided for the main feature.
I viewed the film with the French lossless track. I thought that it was excellent, with an all-around very nice thickness that perhaps isn't always present on the old lossless track that is included on the Criterion release. On the other hand, overall dynamic intensity remains predictably modest, but this is to be expected as organic sounds and noises are essential elements of its original soundtrack. There are no audio dropouts or distortions to report in our review.
There is no doubt in my mind that the 4K scan and the reconstruction work that were done for The Battle of Algiers are of exceptionally high-quality. However, I am not convinced that the grading work that was done at L'Immagine Ritrovata is as good as it should be because if the current master that is offered for licensing reflects the actual quality of the grading then there is no question that the film does not look as it should. Here's what I am trying to convey: As it appears on this Blu-ray release, the present dynamic range of the film isn't convincing; it has a digital edge that creates some unfortunate anomalies. This being said, my guess is that the majority of you most likely won't be bothered by them, especially if you view your films on smaller screens, so read our review and form your own opinion of the new restoration.
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