7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
The Bat, a master criminal terrorizing the city wearing a fearsome bat costume, sets his sinister sights on the eerie Fleming mansion. Within the walls of this spooky house, a bank robber has stashed $20,000 in stolen loot. Leasing the mansion is the wealthy Cornelia Van Gorder, along with her niece Dale. Dale's fiance, Brooks Bailey, a cashier at the bank, becomes the prime suspect in the robbery investigation. After the bank president is found dead, a group of houseguests search the mansion for clues to the whereabouts of the missing fortune and the identity of The Bat. They set a trap for the mysterious killer, but the master criminal manages to escape with the money...
Starring: George Beranger, Charles Herzinger, Emily Fitzroy, Louise Fazenda, Arthur Housman| Horror | Uncertain |
| Dark humor | Uncertain |
| Crime | Uncertain |
| Mystery | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.32:1
Original aspect ratio: 1.33:1
Music: LPCM 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 4.0 |
Perhaps surprisingly The Bat has turned out to be one of the most endearing and enduring entertainments in the annals of the
American (and later global) stage and screen. For a bit of history, I refer those interested to my The Bat Blu-ray review of the probably now better remembered 1959 adaptation starring Vincent Price and Agnes
Moorehead. This 1926 version was the first filmed adaptation and was considered lost for decades, a loss which didn't preclude the film, or at least its
progenitor play, from sparking a veritable cottage industry of both touring stage productions, as well as two more film versions, the above referenced
1959 opus, and rather interestingly an interstitial affair called The Bat
Whispers made by this version's director Roland West at the dawn of the sound era in order to offer a more "high tech" version (the film's
slightly revised title seems to subliminally hint at a soundtrack). But The Bat's influence didn't stop at remakes of the original property, as
any number of at least tangentially related films like The
Cat and the Canary easily prove. Undercrank Productions is now offering this 1926 production culled from a new 2K restoration of
preservation elements held at the UCLA Film & Television Archive. This was another crowdfunded effort by the label, and kind of interestingly, this is
the first release from Undercrank that I've personally reviewed that is on a pressed disc rather than their traditional MOD, um, Burnt Offerings.
Note: Undercrank has clarified that the pressed discs were for the Kickstarter backers, and that general retail discs will in fact be MOD.


The Bat is presented on Blu-ray courtesy of Undercrank Productions with an AVC encoded 1080p transfer in 1.32:1. As someone who was born and raised in Utah and who was once given a joke holiday gift of a book called Utah: Gateway to Idaho, I have to kind of love the fact that a prefatory text card thanks Boise State University and whom I'm assuming was an individual Idahoan who provided the 35mm nitrate print that served as the source element for this transfer. This is by and large a rather appealing restoration, though those used to the kinds of age related wear and tear frequently seen in these older, often uncurated, elements may be better prepared for some of the issues on display. These range from relatively minor, including recurrent scratching which is probably more than discernable in some of the screenshots I've uploaded to accompany this review, but also some pretty serious emulsion damage that starts cropping up around the last half hour or so. Otherwise, though, things are in rather good shape, with nice detail levels on things like costumes or that horrifying bat head worn by the film's nemesis. Contrast is also generally solid, helping to amplify the shadowy cinematography.

The Bat features an LPCM 2.0 track offering another nice "silent movie score" from Undercrank's Ben Model. This one is theater organ based, and has that big "fluffy" sound so redolent of old time movie houses. Model keeps things energetic, and also at time surprisingly anchored in major keys, given the underlying spookiness of the property. Fidelity is fine and there are no issues of any kind to report.


There's a kind of fun "suggestion" offered via intertitle at this film's opening urging viewers not to divulge who turns out to be The Bat, in a strategy that was more or less aped decades later when Alfred Hitchcock urged viewers not to reveal a "little secret" about Psycho. Vis a vis finding out whom The Bat is, and without posting an overt spoiler, I'll only say my hunch is the venerable Dame Agatha Christie may have been aware of this property and kinda sorta stole an idea from this story for the denouement of her long running play The Mousetrap. Technical merits are generally solid and the two supplements enjoyable. Recommended.

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1967

Giallo in Venice / Giallo a Venezia
1979

Il gatto a nove code | Special Edition
1971

The Death Dealer / Milano odia: la polizia non può sparare
1974

La morte ha sorriso all'assassino
1973

Virgin Killer / Red Rings of Fear / Orgie des Todes
1978

2018

Profondo rosso
1975

Standard Edition
1982

1943

1954

1972

キュア / Kyua
1997

Der Würger von Schloß Blackmoor
1963

1933

1945

1928

1971

Misteria
1992

Limited Edition | La sindrome di Stendhal
1996