6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
This movie attempts to reconstruct the bankruptcy of the Banco Ambrosiano bank and its liaisons with the Vatican and the Masonry through the story of its president Roberto Calvi, notoriously found dead under the Blackfriars Bridge in London in June 1982.
Starring: Omero Antonutti, Pamela Villoresi, Rutger Hauer, Giancarlo Giannini, Pier Paolo Capponi| Drama | 100% |
| Thriller | Insignificant |
| Crime | Insignificant |
| Biography | Insignificant |
| History | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.85:1
Italian: LPCM 2.0
English: LPCM 2.0 (48kHz, 16-bit)
English
25GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
| Movie | 2.5 | |
| Video | 2.5 | |
| Audio | 2.5 | |
| Extras | 3.0 | |
| Overall | 2.5 |
To fully appreciate “The Bankers of God: The Calvi Affair,” one must have a doctorate in the financial history of Italy, with knowledge of its working parts pertaining to the Vatican, Masonic control, and government corruption. I’ll fully admit, this is not a movie that inspires interest in such topics, leaving its byzantine structure difficult to digest unless the viewer has a specific connection to the unfolding crisis. It’s not a terrible film by any means, but one that’s persistently complex to a degree where it begins to freak out its director, Guiseppe Ferrara.


The VC-1 encoded image (1.66:1 aspect ratio) presentation doesn't spark with any sort of cinematic life, resembling an average television addition to BD, video-like and flat. Detail isn't completely washed away, but smoothness remains, with filtering pulling out textures, leaving a few choice close-ups to really explore facial nuances. Colors are muted, rarely showing depth, with reds pushed the hardest. Blacks are tepid but without complete solidification. Noisy pockets remain, and fast movement brings out a blockiness that's fleeting but noticeable.

The 2.0 LPCM sound mix features a rather uneven balance between dialogue exchanges and scoring cues, with music considerably muted, while voices are pronounced, often at top volume. Range is troubling, with crispy highs and minimal lows, and the picture's extensive dubbing contributes to an inherent artificiality. Hiss is consistent but damage is minimal.


Performances are excitable, as passions register with soap opera-style intensity, making scenes pop with fury as the injustice and political scrambling mounts. Packed with uneasy encounters and an interest in the history of the Banco Ambrosiano scandal, "The Bankers of God" isn't lacking details. It's how these details are communicated to the audience that's troublesome, going beyond simple concentration to explode with intricacies lost on the average viewer. Again, it's a feature that will undoubtedly appeal to a select group with a firm grasp on Italian history, but even they might feel a little cross-eyed by the end, often unsure what Ferrara was hoping to communicate with this knotted effort.
(Still not reliable for this title)

1969

2019-2020

Sacco e Vanzetti
1971

Uncut Version
2010

Warner Archive Collection
1981

1984

1973

Przesłuchanie / Slipcover in Original Pressing
1989

Standard Edition
1984

2023

1959

1973

1987

Tied Up
1999

1994

Special Edition
1999

Limited Edition
1973

1965

1971

Standard Edition | Cinématographe
1993