6.7 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
When Duke Anderson gets out of the cooler, he discovers the mother lode in his rich girlfriend's ritzy apartment building. With help from a safecracker, a decorator, and a thug, Duke might be able to pull off the greatest heist yet.
Starring: Sean Connery, Dyan Cannon, Martin Balsam, Ralph Meeker, Alan KingDrama | 100% |
Crime | 5% |
Thriller | Insignificant |
Heist | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
Sidney Lumet's "The Anderson Tapes" (1971) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include an audio commentary by critic Glenn Kenny and vintage trailer for the film. In English, with optional English SDH subtitles for the main feature. Region-Free.
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Anderson Tapes arrives on Blu-ray courtesy of Kino Lorber.
Currently, I have only one other release of The Anderson Tapes in my library. It is this release from British distributors Indicator/Powerhouse Films. I did several comparisons between the two and can confirm that both are sourced from the same master. This is an older master that was supplied by Sony Pictures.
The good news is that there are no traces of problematic digital work, so generally speaking, the visuals tend to convey good organic qualities. The not-so-good news is that they also tend to look dated and reveal limitations. For example, grain exposure can be quite uneven, and in darker sequences, including indoor sequences, noise can become prominent. Unsurprisingly, delineation and depth can become shaky, too. (I think that the UK release handles some of these darker areas a little better, but the discrepancy is not substantial). Color balance can be more convincing as well. For example, there are some good primaries but saturation levels and balance should be more convincing. The same can be said about the existing range of supporting nuances as well. Image stability is good. Some minor stabilization can be made but they will not make a big difference. I did not encounter any large cuts, debris, warped or torn frames to report. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your location).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
The lossless track is very good. I think that clarity, depth, and stability are solid throughout the entire film. There might be a bit of room for cosmetic improvements, like stabilization and minor dynamic optimizations, but I am confident that a future remastering job will not produce a noticeably superior audio track.
Until now, in the United States The Anderson Tapes was available on Blu-ray only via this double-feature release from Mill Creek Entertainment, which was not particularly good. Kino Lorber's release is sourced from the same older master that Sony Pictures supplied for the previous release but offers a slightly better presentation. To look as good as it can and should on Blu-ray, The Anderson Tapes will have to be fully restored in 4K, which is possible but at the moment seems very unlikely. RECOMMENDED.
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