6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
Former DEA Agent Quinlan, removed from the force some years earlier for stealing confiscated drug money, is hired by Chung Wei, a leader in the Amsterdam drug cartel, who wants out of the business. Quinlan's job is to use Chung's information to tip DEA agents to drug busts, thereby destroying the cartel. But when the first two "tips" go awry, resulting in murdered DEA officers, the feds must decide whether to trust Quinlan further...
Starring: Robert Mitchum, Richard Egan, Leslie Nielsen, Bradford Dillman, Keye Luke| Drama | Uncertain |
| Crime | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
Cantonese: LPCM 2.0 Mono (48kHz, 24-bit)
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region B (locked)
| Movie | 2.0 | |
| Video | 2.0 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 2.0 |
Robert Clouse's "The Amsterdam Kill" (1977) arrives on Blu-ray courtesy of 88 Films. The supplemental features on the release include new program with actor George Cheung; new audio commentary by critic Frank Djeng and actor and producer Michael Worth; vintage promotional materials; original Hong Kong trailer; and more. In English or Cantonese, with optional English and English SDH subtitles for the main feature. Region-B "locked".


Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Amsterdam Kill arrives on Blu-ray courtesy of 88 Films.
It is obvious that The Amsterdam Kill has been restored. (Apparently, it was restored in 2K from the original camera negative). Unfortunately, it looks quite disappointing in high-definition. I do not know whether the Hong Kong branch of L'Immagine Ritrovata had anything to do with its makeover, but on this release the majority of the visuals convey many of the issues the lab's work is famous for. For example, there is plenty of tealing coupled with soft, creamy yellow that destabilizes different primaries and entire ranges of supporting nuances. You can see examples here, here, and here. Additionally, these color shifts create anomalies that affect the gamma levels of numerous visuals, and in darker ones, there are often unmissable anomalies. Similar anomalies can be observed on L'Immagine Ritrovata's 4K restoration of Lino Broca's Manila in the Claws of Light. The partially good news is that there are no traces of degraining, sharpening, or contrast boosting. Image stability is very good. I also did not notice any distracting age-related imperfections. My score is 2.25/5.00. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).

There are two standard audio tracks on this Blu-ray release: English: LPCM 2.0 Mono (48kHz, 24-bit) and Cantonese: LPCM 2.0 Mono (48kHz, 24-bit). Optional English and English SDH subtitles are provided for the main feature. When turned on, they appear inside the image frame.
I viewed The Amsterdam Kill with the English track. Its quality is a mixed bag. In most areas, it is fine -- the dialogue is easy to follow and music sounds decent. However, there is too much unevenness, and some of it becomes problematic it exposes other limitations, like strong thinning and flatness. I suspect that plenty of these issues are replicated from the original soundtrack, but there could be more that is age-related as well.


Robert Clouse struck gold with a couple of films starring Bruce Lee. For as long as films are viewed, they will be revisited. However, the rest of the films Clouse directed are amusing at best. A few, like Gymkata and Ironheart, can be effective nostalgia fixes, but their rivals from the same era are vastly superior. The Amsterdam Kill is not effective even as a nostalgia fix. It wastes the talents of several good actors who likely agreed to do it just to get paid and temporarily change their scenery. I would not describe it as an amusing film, either.

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